Ritual Year Ancient Egypt Course

“Explore the fusion of Hindu Tantrik and Khemetic perspectives in ‘Tankhem,’ a transformative course in ancient Egyptian magic. Tailored for witches, natural magicians, pagans, and tantriks alike, this course offers a unique approach to unravelling the mysteries of ancient Egypt’s magical heritage. Dive into the depths of this ancient Egyptian magic course and unlock the secrets of the ages.”

Course Aims:

Embark on a journey to unlock the mysteries of Ancient Egyptian Magical Religion through an in-depth exploration of its reconstructed Ritual Year, which consists of 12 “god-bearing” months.

Course Leader:

Guided by Mogg Morgan, a distinguished Companion of Seth and Knight of Shamballa, renowned author of over a dozen books on magick. Immerse yourself in his wealth of knowledge and expertise. Additionally, delve into his insightful videos on YouTube @EgyptianMagick.

Objectives:

  • Develop a comprehensive understanding of Egyptian culture, delving deep into its magickal practices from foundational principles to advanced techniques.
  • Attune to the rhythms of ancient cosmic and life cycles, fostering a heightened sensitivity to the interconnectedness of the universe.
  • Acquire practical skills essential for embarking on the journey toward immortality and spiritual resurgence.

Outline:

Twelve modules including video lecture.

Module 1: MesoRe – Ra and the New Year

 MesoRe – Ra and the New Year and the Golden Dawn. Who are you? There were two major cults in Egypt and the sun god was one of them. His/her birth at the turning point of the year was a hugely significant magick event at a micro and macrocosmic level. It also functions as an entry into the entire year. If joining the course late then this module will be sent together with the appropriate month module. Drawing down the sun, opening rites and calls. The module reveals many hidden aspects of the moment and also acts as an opening rite for the entire sequence. Printouts, extra and first assignment, Feedback on that.

Module 2: Tekh – The Cup and Seth’s Magick

Tekh – the name of this month is literally “The Cup” which has many important connotations, to do with the Cup of Imbibition. Also intoxication, hence its connection with the Egyptian god Seth. So an exploration of the magick of the god Seth and related Typhonian entities such as Apophis. Ritual work with what used to be called exorcism but really about ecstatic cults such as the Zar. Assignments.

Module 3: Min – Exploring Sexual Magick and Life Force

Min – The Egyptian Pan. One of Egypt’s oldest gods. A first look at ideas of sexual magick and the life force. An ancient giant who lies buried just below the surface. He reminds us of the “golden couples” whose coming together is the driving force of transformation and transcendence with the Egyptian cosmological schema.

Module 4: Hathor and Isis – Lunar Blessings and Alchemical Practices

Hathor, and sometimes Isis. The Lunar Blessing. The idea of an alchemical body is connected in Egypt with this archaic goddess and techniques to do with the magical record. Also how to install different divine principles in their respective body realms. Her great book of life, how your name gets in there and how its return date can be altered.

Module 5: Osiris and Sokar – Alchemy and Resurrection Magick

Osiris and Sokar. Alchemy and resurrection magick. Work with Hathor brings us to the cult of Osiris and a primary corpus of beliefs that form the basis of what in later times was known as alchemy but is cited at the crossroads and are the ultimate secrets of body magick.

Module 6: Neith – Ancestral Magick and Rebirthing

Neith, the ancestral, grandmother. All these goddesses have something in common, rebirthing the future self, This is about ancestral magick … reacting back to the first generations of gods. Shu and Tefnut the biogenesis.

Module 7: Nwt – Exploring Stella Magick and Constellations

Nwt, the Star Goddess, explores the several secret books of this ubiquitous goddess, the books of day and of night, the book of Nwt which form part of the primary corpus. Stella magick and the drawing down of constellations.

Module 8: Anubis – Channeling and Underworld Journeys

Anubis the psychic god, the one who moves between ours and the underworld. We must know a lot about this shapeshifter who brings the others to us. We learn channelling and “ordinary trance” from him. 

Module 9: Renenutet – Unveiling Ancient Serpent Power

Renenutet, ancient serpent power. For the Egyptians, Serpents helped to represent the female reproductive organs – so the manipulation of the ancient power begins, with the equivalent of the middle pillar and “chakra” exercises of classical cultures. So for instance the serpent on the forehead is the well-known parallel to the ajna or third eye centre of Tantrik lore.

Module 10: Khonsu – Dream Incubation and Lunar Influences

Khonsu, the wandering moon god, dream incubation. The Moon god explained. The Hidden Moon within and how it moves through the microcosmic, the body and the macrocosm, the outer world.

Module 11: Horus and Sobek – Practical Application in Daily Life

Horus, and Sobek. A detailed examination of this important god, its long history and mythology but always with an eye on what we can use in our daily lives, in the magical practice. Rituals and assignments.

Module 12: Tawaret – Anchoring Chaos and Ritual Cycles

Tawaret .. anchoring chaos. What the Greeks and others called an omphalos, or navel in some greater sense. Think also of belly breathing at a microcosmic level, or centre. If you consider her Hippo form, very heavy and solid, The significance as the anchoring of the ritual year, the fixing of a point that gives us leverage in what is to come. The ritual cycle, whatever form it takes, forms a celestial horizon around the initiates in their extended temple … Who she is is explained in great detail along with appropriate rituals.

Bonus Module: Thoth – Hermeticism and Ancient Magick

Moreover, as a bonus, delve into the realm of Thoth, a wandering magician, and explore the depths of hermeticism. This module is strategically inserted into the sequence at the most fitting juncture – discover why as you progress through the course.

Furthermore, understanding and integrating oneself with the ancient Egyptian ritual year is crucial to unlocking its hidden magick. Symbolically, the Sphinx, with its four feet, resonates with the cyclic nature of the year. Each month is represented by one of these feet, embodying the ebb and flow of time and cosmic energies.

Central to this course is an online lecture spanning one hour, delivering indispensable insights tailored to each month’s essence. Supplementing this core material is additional ad-hoc content accessible online.

Enrol now to access twelve meticulously crafted modules, with a complimentary thirteenth module dedicated to Thoth. Keep an eye out for the soon-to-be-published start date, likely coinciding with the Egyptian New Year around the Summer Solstice. Rest assured, all details will be comprehensively explained.

Pay here $365

Payments and refunds

One instalment of $365 is to be paid in advance

Refunds within 30 days of the beginning of the course of the remaining credit.

About the Facilitator Mogg Morgan

Extras

Course Book

Demonic Horoscope

Readings/One-on-One

Thelemic Symposium 2024 equinox 21 September

Featured

Reviving Tradition: The Oxford Symposium’s Return

After a decade of “silence” the celebrated Oxford symposium rides again, as always a meeting place for the many diverse threads that make the tapestry that is Thelemic magick. Ancient but also post-modern, a style set in motion by the mage Aleister Crowley in our age. Whatever the faults of the first prophet, the symposium aims to be diverse, non-sectarian, inclusive, inspiring, and fun.

Guiding Lights: Mogg Morgan and Sef Salem

Your hosts Mogg Morgan and Sef Salem have curated a potent mix of workshops, presentations, and rituals. 

Mystical Journeys: Chapman’s Angelic Insights

For instance, Alan Chapman, a full-time teacher for fifteen years, guided hundreds of would-be initiates through the reality and myths of profound spiritual practice and experience – traditionally known as the Great Work. Hours of free retreat talks can be found at barbarouswords.com.

 Chapman shares twenty years of mystical experiences. He promises insights into methods, visions, and prophecies.

Chapman authored “Magia” and other works. He founded Ordo Magia and edits for Aeon Publishing.

Esoteric Evolution: Dr. Angela Puca’s Presentation

Dr. Angela Puca presents “From Thélème to Thelema.” She traces esoteric traditions from Rabelais to Crowley.

This presentation examines the philosophical and esoteric lineage from François Rabelais’ ‘L’Abbaye de Thélème’ to Aleister Crowley’s Thelemic doctrine. By exploring the foundational motto “Fay ce que vouldras” within ‘Gargantua’, we uncover its profound influence on Crowley’s central tenet of “Do what thou wilt”. The discussion contextualises Rabelais’ vision of freedom and natural human inclination within the broader framework of Renaissance humanism and its reinterpretation and application in Crowley’s occultism. Through this comparative analysis, we illuminate the transformation of a literary utopia into a spiritual ethos, highlighting the enduring impact of Rabelais’ work on modern esoteric traditions. “Dr Angela Puca is a university lecturer at Leeds Trinity University and holds a bachelor’s and a master’s degree in philosophy. In 2021, The University of Leeds awarded her a PhD in Religious Studies, which will soon be published with Brill.

Her research focuses on magic, witchcraft, Paganism, esotericism, shamanism, and related currents.  

Author of several peer-reviewed publications and co-editor of the forthcoming ‘Pagan Religions in five Minutes’ for Equinox, she hopes to bridge the gap between academia and the communities of magic practitioners by delivering related scholarly content on her YouTube Channel and TikTok ‘Angela’s Symposium.’

Serpentine Wisdom: The Morgans’ Egyptian Workshop

Mogg and Diti Morgan introduce a workshop on Egyptian Serpent Power. They’re known as the Morgan Witches.

Mogg pioneered the first Thelemic symposium in the 1980s. Diti developed Aromamagick, inspired by Kenneth Grant’s teachings. Their workshop reconnects Thelemic magick with its Egyptian origins.

The session combines lectures with hands-on experiences. Participants will sample Egyptian magick techniques. These include ancient rituals and serpent channel work.

The Morgans also explore pharaonic magick’s modern remnants. They’ll explain practices like the Egyptian Zar.

A Gathering of Minds: Notable Speakers at the Symposium

This workshop is part of a diverse program. It features notable speakers like:

  • Cavan McLaughlin discussing optimal will manifestation.
  • Caroline Wise delving into Steffi Grant’s life and art.
  • Dr. Halo Quin examines encounters with Babalon.
  • Sef Salem & Societas Astris leading a group ritual.

Daoist Mysteries: Jason Read’s Exclusive Workshop

Jason Read offers a Daoist magic workshop. It’s open to all, regardless of experience. The workshop covers talisman crafting and ‘mana’ generation.

The lineup promises an immersive magical experience.

All this plus a closing ritual, evening entertainment and Social 

For more details on these and others, visit the newly minted Symposium website:


Get your early bird tickets now

 

Aromagick Online Course

Discover the enchanting blend of aromatherapy and practical magic in this transformative course. Beyond mere study, Aromagick invites you to explore the mystical realm where fragrance meets intuition. Here’s what awaits you:

 

1. Basic Principles of Aromagick:

   – Develop your practice and intuition skills.

   – Unveil the secrets of the **Kalas**, those mysterious cosmic energies.

   – Learn how to synchronize your practice with lunar cycles.

2. Lunar Perfumes:

   – Dive into the scents of lunar flowers.

   – Explore their unique fragrances and magical properties.

3. Kali and Shakti Sequences:

   – Balance the forces of light and dark.

   – Harness the energies of each sequence for daily empowerment.

4. The 4 Cardinal Kalas and Moon Phases:

   – Understand the cosmic rhythms.

   – Align your magic with the celestial dance.

5. Witch’s Ritual Year:

   – Delve into the 8 Sabbats, marking the turning points of the year.

   – Uncover the hidden magic within each season.

6. Magical Recipes:

   – Create ritual baths infused with mystical intent.

   – Craft your own magical perfume oils.

   – Explore edible spells and their enchanting effects.

Embark on this aromatic journey and unlock the secrets of Aromagick! 🌙✨

Course Outline

1. Duration: A Year and a Day

  • According to ancient witches’ traditions, this course unfolds over 365 days—a year and a day. This sacred timeframe allows for profound transformation and alignment with natural cycles.

This course aims to empower participants with the knowledge and practical skills to harness the magical properties of aromatic plants and essential oils. Whether you identify as a witch, natural magician, pagan, or tantrik, this course will provide valuable insights into the mystical world of aromatics and magic.

2. Cost: $365

Aromagick Online Course $365

  • The investment for this magical exploration is $365. Consider it an offering to the cosmic energies that weave through our existence.

3. Payments and refunds

One instalment of $365 is to be paid in advance

Refunds within 30 days of the beginning of the course of the remaining credit.

4. Enrolment Periods

  • Spring Equinox: As the earth awakens, so do our senses—Enrol during the vernal equinox, when daylight and darkness balance perfectly.
  • Summer Solstice: When the sun reaches its zenith, embrace the fiery energy of midsummer. Enrol during this potent time.
  • Autumn Equinox: As leaves fall and nights lengthen, step into the mystical embrace of autumn—Enrol during the equinox of balance.
  • Winter Solstice: Amidst the longest night, kindle your inner flame. Enrol during the solstice of introspection and rebirth.

The Aromagick online course invites you to explore the enchanting world of aromatherapy, magic, and self-discovery. Whether you’re a seasoned practitioner or a curious beginner, this course promises to ignite your senses and awaken your inner alchemist.

Remember, the magic lies within the fragrant molecules, waiting for you to unlock their secrets. 🌿✨

*Graduates of the Aromagick online course will be invited to join The Morgan Witches Coven.

Meet Diti: A Magician Artisan Perfumer and Chaos Craft Witch

  • With nearly 30 years of devoted practice, Diti has immersed herself in the aromatic world of aromatherapy. Her expertise extends beyond mere oils; she weaves magic into every scent. As a Magician Artisan Perfumer, Diti crafts fragrances like a sorceress at her alchemical bench. Each perfume bottle holds a spell, an invocation of energies. Her potions dance between realms, invoking memories and dreams.
  • Diti walks the labyrinth of chaos, where order and disorder entwine. She embraces the unpredictable, harnessing its raw power. Chaos is her canvas, and she paints spells with its vibrant hues.
  • Beyond magic, Diti conjures comfort. Her apple cakes are more than desserts; they’re portals to hearth and home. Each bite carries whispers of love and nostalgia.

Diti, the weaver of scents, the chaos dancer, the seeker of cosmic threads— invites you to join her on this fragrant odyssey. 🌙✨🍎

 

 

Yogini Magic

 

Yogini Magic

The Sorcery, Enchantment, And Witchcraft of The Divine Feminine

By Gregory Peters

ISBN: 9781618697257

U.S. Price $24.95

When I heard about the release of Yogini Magic by Gregory Peters, I was filled with excitement and anticipation. As I was already in the process of writing my book Aromagick, I knew that Yogini Magic would provide valuable insights into the Kalas and shed light on the more enigmatic aspect of the Yoginis. My understanding of the Kalas/Yoginis was based on classical texts and Kenneth Grant’s theories on “Lunar Perfume,” as well as my own practical and intuitive experiences through meditation, dreams, and heightened sense of smell. When I finally received a copy of Yogini Magic, I was deeply immersed in my own “Kala Magic” and didn’t want any outside influences to interfere with my experiences. Thus, I decided to postpone reading it until after completing Aromagick. In the meantime, I placed Yogini Magic on my altar alongside my collection of perfumes dedicated to the Kalas I was currently working with. This allowed me to continue writing about my encounters without interruption.

It was only after reaching out to Ugraprabha that I decided to seek Gregory’s thoughts on her. My past encounters with Yoginis have shown that when you are ready, one of them will find a way to connect with you. Nityaklinna, for instance, appeared in my dreams for months before I mustered the courage to engage with her and learn from her wisdom and sorcery. Once I opened the ‘gate’ and reached out to her, other yoginis quickly followed suit (at times, it felt like a flood of them entering through the gate, which can be quite overwhelming…)

Upon meeting Ugra, I was struck by a sense of familiarity. But when I tried to connect with her sister, Ugraprabha, I was disappointed to find that we did not share the same connection. Despite my efforts to gather information about her, I came up empty-handed (perhaps due to searching in the wrong places). At times, it seemed as if she was annoyed with me for reasons unknown and other times, I felt frustrated that there was something right in front of me that I couldn’t see. In light of this, I have decided to turn to Gregory Peters’ Yogini Magic for insights on her.

As I flipped through the book, it was clear that this was a must-read for me as there were countless useful insights within its pages. In the first section, Yogini Magic delves into the origins and development of Yogini worship and lineage. With his simple and approachable writing, Gregory introduces us to The Sahaja Matrikas and explains in easy-to-understand terms the concept of Who are the Yoginis – something I had struggled with for a long time and am still learning. Chapter 4 offers practical meditation techniques and pranayama for daily use, followed by an exploration of sound sorcery in Chapter 5. Then, in Chapter 7, we are introduced to the powerful tools and energies of the Yogini stones and how to utilize them. I was particularly drawn to this concept and have already started collecting some stones myself.

In the second half of the book, we are guided through the practical use of various techniques such as sigils, day magic, and working with dreams. We also learn about opening the Yogini circle and how to approach The Crossroad in our magical practice. Each chapter offers valuable insights and leads us on a personal journey of initiation into the magic of the Yoginis.

Personally, chapter 16 and the author’s depictions of the Yoginis had a profound impact on my understanding and practice. The vivid descriptions and personal gnosis brought about by both left a lasting impression, greatly transforming my relationship with these mystical beings.

Gregory Peters’ portrayal of Ugraprabha provided the final motivation for me to complete Aromagick. In my quest for knowledge on Ugraprabha, I felt as though I was overlooking a crucial element that was right in front of me.

Gregory wrote about her “Sometimes she appears with the head of a fox…” 

For me, an initiate of the Fox Magic cult, this single sentence offers a complex understanding of the intricacies and mysteries surrounding the sorcery of the Fox, Yogini, and Lalita’s never-ending game.

Ugraprabha, an AI image inspired by Gregory Peters’ vision

Ugraprabha, an AI image inspired by Gregory Peters’ vision

Diti J Morgan is the Author of Aromagick: A Scentual Guide to The Kalas And The 8 Colours of Magick  

Aromagick: A Scentual Guide to The Kalas & The 8 Colours of Magick

Featured

 

 

Aromagick: Unveiling the Kalas and the 8 Colors of Magick

Aromagick offers genuine insights into the mysteries of the Tantrik “kalas”, something often referenced by other esoteric authors such as the AMOOKOS mages, Kenneth Grant et al. The fruit of a lot of experimentation and personal insight, this ought to be a welcome addition to the library of any mystoi, magician, or yogin, indeed anyone with an interest in the most direct of our senses and how these may be enlisted in the work of deep magick. The author also offers a second scentual sequence explicating the eight-colour system made famous in chaos magick. It is perhaps no surprise that the UK chaos magick scene grew out of, or developed pari passu with an interest in aromatics, real essential oils and incense. We recommend this for all mind explorers, especially those with a good nose for a mystery. 

 

 

In creating Aromagick,  Diti J. Morgan has crafted a beautiful and inspiring book about the use of botanical essences in magic of many kinds. Her deep knowledge and experience of the properties of plants lays brilliantly combined with her equally deep knowledge and experience of Hindu Tantra, Western Esoterics, Mythology, and Folklore, and contemporary Neo-Paganism and Magic. She provides a rich cornucopia of spells and recipes, poetry, imagery, and lore to guide us through the seasons of the year and the many forms of magic that we can attempt at any time. A great deal of research and creativity has gone into this book, and I found much in it to surprise and delight me. I recommend this substantial and remarkable book for deep and enjoyable study and preservation in one’s reference library. 
Peter J CarrollStokastikos. Southwest England, 2023.
 

“Aromagick: A Scentual Guide to the Kalas and the Eight Colors of Magic”,  is a tantalizing book which wraps Egyptian and Hindu myth, ritual, and magic around a core of expert aromatherapy and plant magic to create a complete system of magic powered by interpenetrating cycles of time.  Just as the cycles of moon and sun weave together to form a calendar, so does this book twist together many strands of magic to form an eternal braid.  In part one, we learn about the kalas, and ritual baths for every phase of the moon.  With each phase, we deep-dive into a ritual bath.  Deep and loving attention is played to the spirits of the plants on which the baths rely; each is a master class in plant and perfume magic.  In my opinion, just the bath rituals alone would easily be worth the “ticket price” for this book, but there is so much more!  Nearly every chapter is bursting with poetry, essays, and juicy magical tidbits.  

In part two, we expand our circle, now focusing on the eight witch’s sabbats of the wheel of the year and their relationship to the eight colours of chaos magic.  Here too, Diti’s depth of knowledge and joy in practice shine through.  Each sabbat has a ritual bath, as well as additional material that extends, contextualizes, and tantalizes.  I received the manuscript shortly before the autumn equinox, so that is where I started.  The chapter opens with the powerful gnostic poem “Thunder, Perfect Mind” from the Nag Hammadi manuscripts, continues with an invocation of the Egyptian fertility goddess Ipet, moves on to a short essay about the magical virtues of the colour blue, and its relation to the season, and then provides an essay by noted scholar of Egyptian magic (and Diti’s husband) Mogg Morgan about Ma’at, the Egyptian deification of Divine Balance.  The chapter concludes, as each does, with an amazing dreamy bath recipe – this one centred on blue lotus, chamomile, jasmine, frankincense, and bergamot.  Just listing the ingredients is enough to make me swoon at their intoxicating fragrance!  All of that is just one chapter of this fascinating book!  I can’t wait to continue working with it throughout the year. 
Sara L Mastros author of The Sorcery of Solomon: A Guide to The 44 Planetary Pentecals of The Magician King

 

Diti is an Aromatherapist, a magician/witch/priestess/dragon
and none of the above. She is an Artisan Perfumer of the Jitterybug kind. When she has time she hangs out at the Apophis Club and studies at the Fox Magic Mystery School. She also makes great apple cakes.

 

Scroll down for the full interview with Diti J Morgan

Can you introduce yourself and say a little about what you do, your aims and objectives with your writing?

I am Diti J Morgan, an aromatherapist with almost 27 years of experience. I learned that when I blend certain essential oils with a meditative and ritualistic mindset, something special and magical happens. Those who walk the magical path will discover that they have this challenge, to share their vision of the mysteries, instead of accepting what is already given. My challenge is to reveal the scentual path of Aromagik.

If you haven’t already, can you say a little more about your family background, ie past and current – ie are you married, have children, work – people like a little bit of personal stuff if you ok to share.

I feel extremely privileged and blessed to be sharing my life with a very special person. We explore together, which is perhaps one of the secrets of a magical life.

Do you call yourself an aromatherapist/witch/magician? –  if so what does this mean to you? And is it important?

I never liked using titles as I feel they are restrictive.

I go by Diti, which is a nickname for Judith or Yehudit in Hebrew. I was given this name (Diti) when I was a baby of three months. In Jewish culture, and more so in Kabbalah, a person’s name has a lot of meaning and influence. Judith was a lovely Jewish widow, who left the city that was under attack by pretending to join the enemy and predicted to Holofernes that he would be victorious. She entered his tent, where she cut off his head while he was in a drunken slumber and took it in a bag to Bethulia. The Jews then overcame the Assyrians who were leaderless. 

The greater the quality of the name, the more positive its influence is believed to be on the person’s life. According to Kabbalah, the letters that form a name connect the physical and spiritual worlds, not only in how the name is written but also in how it is perceived and recited. As a result, a name acts as a “channel” that transmits energy, whether positive or negative and serves as a bridge between a person’s physical and metaphysical worlds. In Hebrew, the name Yehudit contains within it the letters of God
– י ה ו י

A few years ago, when studying and exploring the path of the Kaula-Naths I was very excited to learn some more about the name Diti. In the excellent book, The Myths and Gods of India, the author Alain Danielou writes a short entry about the legend of the Maruts:

A Legend of the Maruts 

“In the Ramayana (1.46), the Maruts spring forth from an unborn son of Diti, the mother of the antigods. 

The mother of the antigods was in great distress. Vishnu had destroyed her two sons, Golden-Eye (Hiranyaksa) and Golden-Fleece (Hiranya-kasipu). In her desire for revenge, Diti, with womanly patience and cleverness, endeavoured to please her husband Vision (Kasyapa) and obtain from him a son who would destroy Indra, himself a son of Kasyapa.

Vision would not cooperate directly, but he advised Diti to perform the son-giving (pumsavana) penance. As the penance approached its completion, Indra felt anxious. He descended upon the earth and began to serve Diti like a disciple. Should she succumb to pride but for one instant this would give him a chance to frustrate her aim. For a long time, Diti was cautious in her austerities, but one day, at sunset, she fell asleep. Indra took advantage of this. Entering the womb of Diti, he tore the fetus into forty-nine fragments with his thunderbolt. These fragments became the Maruts. Indra made them guardians of the chalice of Soma.”

Judith or Diti, you may call me either, but I know for sure that both of my names are my “paths” that convey energy, good or bad, and connect my material and spiritual realms.

Mandrake has published your book – can you say a little about it?

The book Aromagick merges magical thinking and practice with my love for scents, aromatics, and perfumes. In the opening section, you can explore the fragrances and scents of the lunar journey through the Kalas. 

Kala means part, perhaps also a “lunar perfume or flower”. These mysterious but extremely important principles, derived from esoteric Hinduism, were related to the cosmic tides of the moon, those that ebb and flow during a lunar month. 

Following several years of studying the esoteric cycle of the lunar divinities, the Kalas, I gained a fresh perspective and understanding of these enigmatic deities. Each lunar day is said to have its unique magical quality represented by a Kala and a specific fragrance. In Aromagick, you can explore the lunar-Kala cycle’s two distinct sequences, namely the light and dark cycles, and discover the fragrances and perfumes that correspond to each of them.

In the second part of the book, I deal with the Eight Witches Sabbaths of the Ritual Year and how they resonate with the Eight Magics and the corresponding colours and scented essences.

Is the journey in your book for everyone or only for the expert or indeed aimed at the beginner?

Everyone can benefit from Aromagick. It provides a great introduction to essential oils, the moon cycle, the Kala sequences, and the Eight Sabbaths for beginners. For advanced magicians and witches, Aromagick offers new and deeper insights into familiar subjects. Additionally, advanced Tantrics and Naths can discover a fresh perspective on the Kala system.

 

 

Octarine Magick, Baphomet & Winter Solstice

Featured

 

Twice a year, on the winter and summer solstice, a very unique portal reveals itself. Through this opening, we are given the opportunity to explore both the chill, yet still spirit of tranquillity and the effervescent radiance of brightness. The deep, indigo night sky of the winter solstice is reminiscent of Saturn, Lord of Time. There is something special about its seemingly timeless journey; almost as though time actually has stopped. The winter solstice marks the occasion when the Earth’s axis reaches its highest angle away from the Sun. In the Northern Hemisphere, this is where we observe the least amount of sunlight, leading to a day that’s shorter than any other of the year and a night that’s longer. This day mirrors the symbolic death and rebirth of the Sun— with daylight hours beginning to grow again afterwards. 

Octarine is the so-called Colour of Magic or King Colour, only perceivable by magicians and cats. According to Discworld texts (see Terry Pratchett’s The Colour of Magic), it is a combination of fluorescent greenish yellow and purple, mixing all primary colours, and serves as a representation of imagination.

The Octarine power lies within us, kindling the spark of the magician self in our inner being. When this flame is lit, we become familiar with various god forms, such as Baphomet, which can be summoned to inspire our magical creativity. 

The essence of Baphomet restores the balance of our universe.

I see Baphomet as a symbol of equilibrium between all living things. This consciousness allows us to recognize and embrace the connection between humans, mammals, reptiles, fish, angels and demons, heaven and earth. It also encourages us to accept the innate cycle of life and death, plus the concept of

eternity. Light and dark, left and right; these are all balanced by Baphomet’s equanimity. I found it easier to identify with Baphomet consciousness when I think of it as a model for a unique and original thought, a primal idea of balance. This concept once initiated, will ignite the flames of a passionate heart and open a clear passage for communication with our higher selves. 

Using Baphomet perfume oil on the Winter Solstice or Kapalini’s nights will help us surrender and let go of old attachments that bind us and prevent us from moving forward.

Check out AROMAGICK  for more information about the magical ingredients of Baphomet perfume oil. The Winter Solstice coincides with Nitya-Nitya night this year, ‘She who is timeless, the immortal goddess’. I will put an additional rare fragrance into the mix, to embody the essence of Nitya-Nitya.

 

 

 

 

 

 

The Hierophant

Crowley’s Thoth Tarot offers a much richer layer of meanings and symbolism than usual. His underlying messages convey his ideas and beliefs, making the deck an intriguing source for contemplation. Before analyzing the symbolism of this card, we’ll only consider it from a Crowlian perspective — namely, my own. To get a better grasp of the Hierophant, let’s first look at what it signifies. The hierophant is a top religious figure like the Pope, or the chief Rabbi, whose job was to be a conductor, a channel, funnel, or mediator between the gods and the people. In this particular card, focusing only on the hidden symbolism, the hierophant is the representation of the goddess Nuit.

Nuit is the embodiment of infinite space and also the mother of all stars — for it’s known that “Every man and every woman is a star”(Liber AL, chapter 1, verse 3). With this in mind, she is where each star returns. Additionally, she is also the divine law which must be given to those who follow the hierophant. “Let the woman be girt with a sword before me” (Liber AL, chapter 3, verse 11) At the front of the card, before the hierophant, we can see the woman girt with a sword. The Book of Thoth speaks of the ‘Scarlet Woman’ as an emblem of the new era; she stands for a transformation away from her traditional image as a housewife or accessory to her male partner, instead embracing her identity while searching for autonomy and equality.

“The woman is the priestess; in her reposes the mystery. She is the mother, brooding yet tender; the lover, at once passionate and aloof; the wife, revered and cherished. She is the witch woman.” (Freedom is a Two-edged Sword, Jack Parsons) The deeper we look into the hidden symbolism and meaning of this mysterious woman, the clearer it becomes that she can be Nuit herself, guarding the divine law. The law is simple and clear and the hierophant’s job is to pass it to their congregation:

“Do what thou wilt shall be the whole of the Law”
“Love is the law, love under will”
Or in our words:
“Love and do what you will.”
“The symbolism of the Wand is peculiar” – Solve et Coagula (Aleister Crowley, The Book of Thoth). Crowley describes the three interlaced rings of the wand, as a “representative of the three Aeons of Isis, Osiris and Horus”. However, on a closer look, we see the hierophant holding the wand with its three rings aspiring upward, in his right hand (solve). As a Setian/Typhonian, I couldn’t help the thought that the three interlaced rings would be much more comfortable in the right hand of destruction (solve) as a representative of Set, Osiris & Ra.
Set and Osiris are both Ra’s grandsons and make a sacred triad. Both brothers have to sacrifice themselves for the continuation of Ra — of life — Osiris being killed by his brother Set, and Set killing his brother and becoming the ‘outcast’ God. Demonstrating the cycle of life through destruction and creation is continued with the symbolism of the hierophant’s left hand. His left hand (coagula) points downward in the Shamak mudra hand position. I must admit that this never occurred to me before, but once I became aware of it, I could not un-see it.
The Shamak mudra, also called the kidney mudra, is the perfect hand position to deliver the message of Solve et Coagula (destruction and creation). At the start, I had difficulty understanding how the Shamak mudra was linked with Solve et Coagula and its role in occult symbology in particular for the hierophant and his wand.

Shamak mudra

Coagulation means the action or process of a liquid, especially blood, changing to a solid or semi-solid state (OED). The main function of the kidneys is to cleanse the blood of toxins and transform the waste into urine. The hierophant’s right hand in the Shamak mudra, suggests that before we can coagulate, we must be cleansed and purified of all toxins. Only then can we coagulate into our new and transformed selves.
“The Throne of the Hierophant is surrounded by elephants, which are of the nature of Taurus; and he is actually seated upon a bull.” (Aleister Crowley, The Book of Thoth). At first sight, the card seems to resonate with the symbolism of the zodiac sign Taurus, which is an earth sign. The element of earth is represented in this card as the Bull/Kerub and symbolizes the earth element at its most balanced and strong. If we look at the symbolism of the bull from the Setian perspective, it takes us back to the prehistoric ‘cattle cult’, which is probably one of the world’s oldest. Egyptian male deities often have a bull representation. Set is most notably known for the ‘Bull of Ombos’. This bull cult likely evolved out of the Cattle cult, which was centred around the Heavenly Cow/Hathor, who symbolizes the feminine aspect of this tradition.
The bull is associated with male fertility and strength, as seen in energy, stamina, and endurance. Worshipped in antiquity, it is also linked to the zodiac sign Taurus, which is associated with spring in the agricultural calendar as a symbol of renewal, prosperity, and abundance. However, this powerful creature can be equally connected to hard-headedness, ferocity and brutality — all the qualities of a deity — where it would accept a sacrificial offering as an act of reverence. It is easy to believe that religious reverence for the bull’s cult has been forgotten in modern times, yet our practices today have still taken on a new form – the dairy and meat industry.

Cave paintings from the Tassili n’Ajjer mountains (photo courtesy of wiki commons wikimedia.org)

Just to remind you, a hierophant is a person who brings religious congregants into the presence of that which is deemed holy. As such, a hierophant interprets sacred mysteries and arcane principles. In this card, the hierophant symbolizes the link to the secret of the rhythm of time and the ancient practice of the worship of the bull.
The secrets of the Timelords are encoded in the divine law which is guarded by Nuit/Nwt and delivered by the hierophant.
– From Aromagick by Diti J Morgan, 2023

Midsummer Night’s Dream, Oberon speaks the whole story

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Thou rememberest
Since once I sat upon a promontory,
And heard a mermaid on a dolphin’s back
Uttering such dulcet and harmonious breath
That the rude sea grew civil at her song
And certain stars shot madly from their spheres,
To hear the sea-maid’s music.”  (Oberon) 

Act 2 Scene 1

That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
Cupid all arm’d: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid’s fiery shaft
Quench’d in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark’d I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love’s wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew’d thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.

Act 2 Scene 1

I pray thee, give it me.

I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull’d in these flowers with dances and delight;
And there the snake throws her enamell’d skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I’ll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.
Effect it with some care, that he may prove
More fond on her than she upon her love:
And look thou meet me ere the first cock crow.

Act 3 Scene 2

Thou see’st these lovers seek a place to fight:
Hie therefore, Robin, overcast the night;
The starry welkin cover thou anon
With drooping fog as black as Acheron,
And lead these testy rivals so astray
As one come not within another’s way.
Like to Lysander sometime frame thy tongue,
Then stir Demetrius up with bitter wrong;
And sometime rail thou like Demetrius;
And from each other look thou lead them thus,
Till o’er their brows death-counterfeiting sleep
With leaden legs and batty wings doth creep:
Then crush this herb into Lysander’s eye;
Whose liquor hath this virtuous property,
To take from thence all error with his might,
And make his eyeballs roll with wonted sight.
When they next wake, all this derision
Shall seem a dream and fruitless vision,
And back to Athens shall the lovers wend,
With league whose date till death shall never end.
Whiles I in this affair do thee employ,
I’ll to my queen and beg her Indian boy;
And then I will her charmed eye release
From monster’s view, and all things shall be peace.

Act 4 Scene 1

Welcome, good Robin. See’st thou this sweet sight?
Her dotage now I do begin to pity:
For, meeting her of late behind the wood,
Seeking sweet favours from this hateful fool,
I did upbraid her and fall out with her;
For she his hairy temples then had rounded
With a coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell like round and orient pearls,
Stood now within the pretty flowerets’ eyes
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her
And she in mild terms begg’d my patience,
I then did ask of her her changeling child;
Which straight she gave me, and her fairy sent
To bear him to my bower in fairy land.
And now I have the boy, I will undo
This hateful imperfection of her eyes:
And, gentle Puck, take this transformed scalp
From off the head of this Athenian swain;
That, he awaking when the other do,
May all to Athens back again repair
And think no more of this night’s accidents
But as the fierce vexation of a dream.
But first I will release the fairy queen.
Be as thou wast wont to be;
See as thou wast wont to see:
Dian’s bud o’er Cupid’s flower
Hath such force and blessed power.
Now, my Titania; wake you, my sweet queen.

Act 5 Scene 1

Now, until the break of day,
Through this house each fairy stray.
To the best bride-bed will we,
Which by us shall blessed be;
And the issue there create
Ever shall be fortunate.
So shall all the couples three
Ever true in loving be;
And the blots of Nature’s hand
Shall not in their issue stand;
Never mole, hare lip, nor scar,
Nor mark prodigious, such as are
Despised in nativity,
Shall upon their children be.
With this field-dew consecrate,
Every fairy take his gait;
And each several chamber bless,
Through this palace, with sweet peace;
And the owner of it blest
Ever shall in safety rest.
Trip away; make no stay;
Meet me all by break of day.

 

Wolfman Denny Sargent reviews Fox Magic

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Fox Magic – Handbook of Chinese Witchcraft and Alchemy in the Fox Tradition

Jason Read

978-1-914153-07-5 (pbk) 168pp

UK £15.00+p&p Order

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Special “Altar” edition, jacketed case laminate, colour images

978-1-914153-08-2 (Jacketed cased laminate) 172pp

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$40 USA Order

Fox Magick is both delightful and unusual in that it covers a fascinating and rarely discussed Fox spirit/deity rooted in China and Japan and which is honoured as both. To clarify the Fox goddess began as an animistic spirit which, in various places and forms was later also worshipped as a goddess. I am pleased to review and recommend this fascinating book because I am particularly interested in this entity because I lived in Japan for four years, studied and then wrote a book about Shinto, and became intimately familiar with the Fox spirit Kitsune and her deity form Inari Sama. 

Kitsune was seen there as Inari’s avatar or familiar but sometimes Inari appeared in the form of the nine-tailed Kitsune fox. I knew that this remarkable divine spirit had originally come from China, but knew nothing much about its origins and was delighted to get this book and learn so much more about her and her ancient origins and connections with the Taoist magick of China.

Jason Read has done an expert job walking the reader through the vast kaleidoscopic myths, legends and magical practices of the ‘Fox Magic’ cults and sorcery as well as the beliefs, myths and practices still alive today in China by a variety of sects and lineages. Spirits and deities do evolve in time and his description of this is well done and fascinating for I am a devotee of such things.

The beginning drops us right into the legends of the fox spirit in China and then offers a related segway into the fox spirit in Japan, showing one of the Inari shrines with fox guardians I know so well. As is common in Asia, such spirits and deities are not all good or all bad, and the dark fox spirits are discussed both thoroughly and in-depth as entities that can possess and manipulate people. Mr Read really dives deeply into the subject of many sorts of legends and continually broadens and organizes what is clearly his vast knowledge of the subject in a clear and interesting manner. He weaves this with his knowledge of Taoism, Chinese magic and much more. As a Tantric, I was surprised to discover that the Fox spirit originated with the Dakini which had never occurred to me! This was a fantastic and important intercultural connection and was riveting. I was also amazed by his explanation of the evolution of the fox spirit as it was elevated to being a deity, the fox goddess Hu Xian (later Hu Li Jing). As such evolution is common in Shinto and other spiritual practices. The stories about the Japanese Kitsune and the kitsunebi were familiar to me, but seeing the interconnections between earlier Chinese beliefs and their spread into Japan was particularly fascinating. Mr Read’s writing style is clear, concise, full of information and also easy to follow as he navigates complex myths, legends, practices and histories. A big plus for me were the rites and spells associated with The Fox spirit/deity in both China and Japan, all were completely new to me! This final section of the book is filled with clear, applicable and fascinating glyphs, sigils, rites and clear instructions and explanations of the various magickal systems for the working with Fox deity. I can not recommend this book highly enough and this book should become part of your library.

I am thankful to be given a chance to read and interview this book! I have recently written books on the animistic wolf spirit and its evolution into wide-ranging cults and magick and will admit that this book delighted me to no end as a fellow devotee of feral spirits and entities

Denny Sargent

www.feralmagick.com

Three Hippos

Ipet Month Rite  (2020)

Invocation coincided with kala for Duti ( 5th lunar day)
We prepared a potion of Salvia Divinorum from our garden. This we took after the following Invocation. 

Bowl with hippopotami, Predynastic Period, Naqada I, 3850–-3650 B.C. (pottery)

Ipet Invocation 

Awake and embrace the void 

Your heart strong enough for its joys 

and its worries  

Leave, and when you awake to life 

You will feel young again on a new day  

Rest, lie down assured of long good health.   

“Good night,  

the gods protect you,  

their protection is before you each day 

No bad thing approaches  

The demon (Apep) is repelled from your bed chamber 

Ipet the Great protects you in your long and powerful life.” 

 The day and night illumined,  

You shine forth 

For she guides your steps on the right path,  

And you know what is needed,

The god Ptah provisions you,  

filling your storeroom, 

With food and drink aplenty, 

and in good measure. 

Your diary and records all in order 

and well-composed. 

The mistakes of the past are forgotten,  

The staff in your hand is well-made and sustaining. 

Break bread with the wise, 

Your cares are all behind you. 

The only reason lies before you, 

The best is yet to come. 

 

Praise be to TAWERET, 

Bringing ‘perfection’ in her beautiful name.  

I praise her to the limits of the sky, 

I desire her Ka, calming day by day. 

 Be merciful to me,  

May I behold your mercy, 

You, of perfect mercy! 

Extend your hand to me,  

Giving me life, 

And granting me offspring! 

 Do not reproach me for my errors  

You, in perfect mercy! 

Even if my helpers slip up, 

My peers still reward me. 

I desire your great strength, 

None knows you as I do; 

I will say to the children and children’s children: 

Thee as guardian before her! 

Joy my heart should seize, 

Because on this day TAWERET is merciful,  

My house prospers with her blessings.  

May she give them day after day,  

And I never say ‘Oh I have regrets!’  

May she continue to give me health, 

And my womb bears children safely, 

[Or the future be secure]. 

My heart is glad every day, for sure 

The good ones expel the evil, 

And I am blessed.  

 Behold her people will live forever, 

My enemies are fearful before you TAWARET! 

Since your rage oppresses them 

more than a mountain of iron, 

Her mercy gives us life! 

Soon after drinking the potion a door opened and I crossed over to a different dimension (or was it a different timezone?) I was delivered to a very large cave, I could see patterns in the air (or was it on the walls of the cave?) the patterns were like unfinished paisley shapes in very faint shades of pastels. The vision was clear but the colours and shapes were nothing like I’ve seen before on ayahuasca, mushrooms or LSD, somehow it all looked like a prehistoric type of art.

The vision ended. It didn’t take me long to realise that the Salvia visions are probably short so I took another dose and before I knew it I was surrounded by fireworks.

The next vision was more like a physical experience: 

Something purple was trying to burst out of my head, or maybe a purple something was attaching itself to my head and trying to merge with it. I don’t know how to describe that feeling, or how long it took. Salvia time – if you can call it that, is measured in breaths. So, within a breath, the only ‘thing’ that was left of me, was only consciousness. Or was it the ‘purple something’ consciousness? Weightless and with no body, I was floating in the air above the sounds of music. I could hear the music filling the room but somehow I was high above it. And it was more like I can see it as the sounds vibrated under me and not through and around me as music usually experienced. 

Was I initiated by the Salvia spirit?  Did I become one with Salvia’s spirit for a few short (or long) breaths?  I noticed that with every inhalation, shapes like entities(?) were formed around me but I could only see them on the exhale. they looked like they were made of clouds, mist or fog —  of breath, my breath. The vision ended and I was left thinking that those entities are something to do with the ancient Egyptian god Shu.

Salvia spirit?

In the next vision, I played with the length of the exhalation, trying to see as many entities as I can and tried to touch them. When I put my hands over my eyes and I could see The Flower Of Life in bright electric blue forming in my hands. 

 

The last vision:  I went and sat by the altar, after all, tonight is all about IPET, the hippo goddess of ancient Egypt. So I knelt by the altar and meditate for a while. I don’t know how many breaths have passed, but it felt that I’d been sitting there for a while.

The vision came as I was looking at the flame of the candle.  A gate has opened and turned into a 3D tunnel, from which glowing breath-like entities, went through back and forth. The vision was fading away but I felt like dancing to the beautiful Kali mantra that music was playing in the background, vibrating softly in the nearly dark room while the three of us danced around the fire, the wild dance of the fire goddess. 

Three hippos dancing around the fire the wild dance of the beast.

The vision has gone, but the hippos were still dancing around the fire

Three Fire-Hippos dancing

.

Was Ipet / Tawaret a fire goddess?

Well yes, “Hathor of the West” is sometimes depicted as a hippo. The four torch goddesses who light the way for the deceased & keep enemies away are connected with her. (See Naos of decades & Gutbub 1965: 45)

Hathor Hippos is indeed a name of personifications of four crucibles of fire, shown in the Naos (the inner chamber or sanctuary of an ancient temple, a tabernacle), a dynamic act of protection, in which one’s enemies are thrown back and burned in the fires. In the end, what remains is submerged in cow’s milk.