Shu – “The Breath of Life”

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I learn how this is a central concept in the old Egyptian Magical religion – proto Tantra.

There’s a thing called the Shu theology- Atum the creator, but then two children, Shu & Tefnut who do all the life giving stuff – like an ancient Shiva-Shakti. And think prana, the breath in Tantra. 

Shu, Tefnut & Amarna religion
“The Shu theology of Egypt’s Middle Kingdom, as far as it can be reconstructed from the Coffin Text spells (75-80), distinguished between cosmology and biogony, creator god and life god. Atum was the creator of the world and life according to this theology, but the task of life-giving and developing both fell to his two children Shu and Tefnut. In this capacity Shu received the name Ankh “life” and was called “endless time” , while Tefnut was called Maat “truth /justice/order” and dt “invariable permanence”. Life, truth and time were the energies that perpetuated the world created by Atum. Akhenaten must have known about this theology. It offers the only example of a triad with the structure, 1:2 (father/two children) – so in Amarna, Akhenaten and Nefertiti assume roles of Shu and Tefnut.” #tankhem #prana 

Serpents everywhere

The snake charmer/Emil Otto Hoppe

A couple of weeks before Samhain/Day of the Dead, I had an insight.

This year, on our pilgrimage, to visit the ancestors, we going to perform The  Headless ritual in the graveyard. I’m not sure where this insight came from,  perhaps I was reading again too much Crowley’s stuff again.

When I asked M what does he think about performing The Headless ritual for our day of the dead extravaganza, he said it was a good idea and we should give it a go.

Later on that week, I had another insight – we must sing the headless ritual. When I say sing, I meant singing the power words.

The tune that was stuck in my head was – Schuberts’ Ave Maria…

Now, I can sing, not too bad actually, and when I’m really going for it, I can make some very cool shamanic howling, but I’m certainly not Maria Callas.

We arrived at the old farmhouse on Samhain eve, exhausted from the long drive, neither of us feel like performing any ritual, instead, we end up snoozing in front of the TV.

We agreed to do try the next day on our visit to the cemetery.

After a week or so of practising singing the power words, I felt more than ready. 

The next morning, we drove to the cemetery armed with a candle, joss sticks, and a printed version of the Bornless ritual. As soon as we start driving the weather changed from a nice sunny morning into a grey and wet one. As we turned a corner, the most beautiful rainbow appeared and a thought crossed my mind: 

The Serpent and the Rainbow

The Serpent and the Rainbow, our two ancient Haitian serpent deities that probably stand at the top of the Haitian Vodou system.

The serpent – Dambala Wedo is the ancient sky father, he is the origin of life and the ancient source of wisdom. His wife, Ayida Wedo is a water serpent with rainbow-coloured scales and her symbol is the rainbow.

The story goes like that – Dambala Wedo gave rain to the world, as the raindrops fell from the sky they formed a rainbow colour. Danbala fell in love with Ayida the rainbow serpent. They married and joined as a double helix of snakes, giving birth to the human race. (from Vodou Visions by Sallie Ann Glassman).

The rainbow reminded me why the Headless ritual would be good for this particular work (part from the urge to sing it). In the second part of the ritual that sometimes comes under the title ‘Assuming of the God form’, you can find a line that says: My name is a heart encircled by a serpent.  So the headless ritual has a serpent in it and somehow also felt connected to the energies of this time of the year.

The Orphic egg, not exactly a heart, but you get the idea.

By the time we got to the cemetery, it was very wet and we could sense a tempest was coming which reminded us that Set is a storm deity after all, aka the voice of the storm. So we lit the candle and the incense but again, something about the timing of the ritual didn’t feel right, the weather so bad we got back in the car and raced for home.

I was looking for a picture that will capture the essence of the Headless ritual, and my research led me to a very familiar one that can represent the line – My name is a heart encircled by a serpent, but also connected to the double helix formed by the serpent and the rainbow I mentioned earlier.

The more I think and study the picture and my relationship with the deity in it, the realization of why we didn’t get to perform the headless ritual as planned, was sinking in. In my opinion, preparing for a ritual sometimes is just as good and powerful as the performance itself and by the time of the ritual, sometimes you feel that things are already in motion.

For the best part of about 3 weeks, all I did was explore the ritual in so many ways so I would find the best way to sing it. In that period of time, I read it over and over again and sang the words of power numerous times. By the time we arrived at the specific date planned for it, I felt saturated and full. I didn’t want nor feel the need to do it. This resulted in a very quiet and peaceful space in my head, something like the feeling of when a ritual is completed and we say the famous words 

IT IS DONE!

XEPHER!

2 serpents circling up and around the heart

So our friend Baphomet here, got a double helix sort of serpents, possibly symbolizing the rising of the kundalini through the lingam wisdom. Both of the serpents heads point in the direction of the sternum, which is the protector of the heart. 

When we prepare for a ritual, to make it successful, we need to put ‘our heart’ into it, some will say we need to put ‘our heart and soul’, but this can be open for discussion. However, by putting ‘our heart’ into the preparations, we are consumed by the ritual, the more we study we become one with it, and we start to initiate certain elements’ energies and powers into motion, while at the time doing so we are probably not aware of it at all. By the time the day arrives, there is nothing more to do. 

The Bornless One Ritual

“I summon you, Headless One,
Who created earth and heaven,
Who created night and day,
You who created light and darkness;
You are Unas, the beautiful whom none has ever seen;
You are Iabas;
You are Iapos;
You have distinguished the just from the unjust;
You have made female and male;
You have revealed seed and fruits;
You have made men love each other
And hate each other.”
“I am Moses your prophet to whom you have transmitted your mysteries celebrated by Israel; you have revealed the moist and the dry and all nourishment; hear me.”

“I am the messenger of the beautiful Pharaoh Unas
This is your true name,
which has been transmitted to the prophets of Israel.
Hear me, Hear me,
arbathiaô reibet athelebersêth [ara]
blatha albeu ebenphchi chitasgoê ibaôth iaô
Listen to me and turn away this daimon”

“I call upon you, awesome and invisible god with an empty spirit,
arogogo-robraô
sekhmet
modoriô phalarchaô ooo

Holy Headless One. Deliver us
From the daimon which restrains us,
roubriaô mari ôdam baabnabaôth
ass adônai aphniaô
ithôlêth abrasas
aêôôy;
Mighty Headless One,
Deliver us
From the daimons that restrain.
mararraiô ioêl kotha athorêbalo abraôth,

Deliver us:
aôth abraôth basym isak sabaôth iaô”
“He is lord of the gods;
He is the lord of the inhabited world;
He is the one whom the winds fear;
He is the one who made all things
By the commands of his voice.”

“Lord, King, Master, Helper, save the Soul-Ba (Psyche)
ieou pyr
iou pyr
iaôt
iaêô
ioou
abrasax sabriam
oo yy ey oo yy
adônaie,

Immediately, immediately
Good messenger of the God
anlala lai gaia
apa diachanna choryn”

Assumption of the God form

“I am the headless daimon with my sight in my feet;
[I am] the mighty one [who possesses] the immortal fire;
I am the truth who hates the fact that unjust deeds
are done in the world;
I am the one who makes the lightning flash and the thunder roll;
I am the one whose sweat is the heavy rain, which falls upon the earth that it might be inseminated;
I am the one whose mouth burns completely;
I am the one who begets and destroys;
I am the Favour of the Aion;
My name is a heart encircled by a serpent;
Come forth and follow.”

“Subject to me all daimons,
So that every daimon,
Whether of the heavens
Or the air
Or earthly
Or under the earth
Terrestrial or aquatic,
Might be obedient to me
And every enchantment and scourge
Which is from God.”

Closure:

When you want to finish do so by for example repeating the first part of Tankhem opening and then a “license to depart”:
“I release any spirits entrapped by this working,
May you go in peace to your lovely abodes.
Farewell Headless One,
Lord of the inhabited world,
Farewell Akephalos,
The son of Nuit
Leader of the company of heaven in their diurnal motion,
Senebty, great Bull of Ombos.”

After which pour any remaining offerings such as those of the chalice on earth and clear equipment, extinguish lamps etc .

This version of the Bornless ritual was taken from Egyptian magick by Mogg Morgan

***

Inspired by the work of the 4th head, The Serpent, from Apophis by Michael Kelly.

***

Another interesting view on the serpent, you will find in the YouTube link below

https://www.youtube.com/watch?v=72T2bW8bkfA

MMM

 

 

Amduat & the mysteries of the self

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Last night listened to Diana Kreikamp’s presentation on The Amduat: the Great Awakening, for the Magical Woman’s Summer Salon. which is also the title of her book. See link below for recording.
Amduat Salon7 Recording

I learned how this important ancient text brings together two important threads of Egyptian magical religion – the cult of sun god Ra & cult of underworld deity Osiris. At the midnight hour of Sun’s journey, when he makes the transition and begins his regenerations. Here he meets with Osiris, and the two cults merge.

Later, when the existential threat comes in the form of personification of “evil”, the snake Apophis. The still frail sungod needs strong protections, which he gets from Goddess Isis and also her companion, the “Elder Magician” who use their magick to ward off the threats.

Then, as now, different people were supporters of the cults of different deities, all of whom are part of the drama in some way. The ancient Sethians, viewed the “Elder Magician” as an avatar of Seth.

Members of mystery cults identified with these underworld myths, looking for their true selves in the unconscious. Is there really the basis to the idea of an ancient mystery cult of the living, made up of priests and scribes? The archaeological evidence indicates this to be the case.
I also explored this phenomenon as background to “Isis goddess of Egypt & India”

Such ancient mystery cults in temples are mentioned in Great Hymn to Osiris as well as in other places.

“Praise to thee, Osiris! Thou Lord of eternity, king of gods! Those with many names and lordly of being! With mysterious ceremonies in the temples” Great Hymn of Osiris / Hymn of Amenmose

These were the precursors to the famous mystery cults of the classical world, a lively account of one dedicated to Isis & Osiris is found in Apuleius’s novel “The Golden Ass”.

The Lion Goddess serenades Min, the ithyphallic god in the morning

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A hymn for god Amun-Min on the final day of his lunar month. When Repyt, ancient lion goddess of Athribis,
hymns the god from the eastern gateway of her temple, greets him as he rises in the morning in his house on
the eastern side of the river at the “Horizon of Min” (Akhmin)

“May you be satisfied,
May you awaken in peace,
may you be awake,
the lord of the sanctuary,
who with great power of destruction against his enemies … now rise in peace

“May you be content,
may you awaken in peace,
awaken,
You who gives life to your father Osiris,
awaken in peace, wake up and be content.

“May you be satisfied,
may you awaken in peace,
awaken,
Awake leader awaken
The great Horus in Akhmin,
the nemesis for those who will suffer at your hand,
You who now sleep in peace.

“May you be content,
may you awaken in peace,
awaken with transfigured body
But awaken in peace.

May you be happy,
Your majesty awakened,
the living one who gives the air
to the one whose throat is constricted.
Awaken in peace,
To keep the one who is within him/her healthy, and in peace.

“May you be satisfied,
May you awaken in peace,
may you be awake,
lord of the sanctuary,
one with great power of destruction against his enemies .. . now rise in peace

“You who loves the beautiful day,
for whose soul the gods are in peace.
in whose hand is life and death, rise in peace.

Victories for you over all the of the rulers of the nine bows,
to you the gods bow, in peace.

You are called Lord by the kings of upper and lower Egypt,
the Lords of the two lands,
the chosen ones of ptah,
who moved by the image of Min-Re,
The sun god
And by Horus, the Lord of letopolis,
And all their names,
You are their truth

I offer you Myrrh and wine,
and all good things,
treating you like a king.
I see your morning glory
As on the first golden day
when our souls were united,
And we are are transfigured at the gate
forever, as gods

This land shall flame and glow …
You shall be the satisfied as one who is in the seat of the Bastet,
Where those of earth also sit,
Man, woman,
Enjoying the fiery warmth of Sekhmet,
the mistress of heaven …
The one whose cheeks glow red at a feast,
As she eats raw meat
To whom the gods pray when they see it,
Because the gateways are open
The heart melted by the mistress of the flame
Rejoice, for the mistress, clothed in red linen,
Loves her lover
Our destiny

Composed, based on translated fragments by Mogg Morgan for Diti

Typhonian – what does it mean?

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What is a Typhonian? A new magical tradition also a spiritual path but one with ancient antecedents. In this sense like Babalon, Baphomet, & Babi.

Typhon is name of ancient Greek evil supernatural entity used by them as an overlay onto Egyptian Seth. They didn’t have that much in common though at that moment at end of pharaonic culture they obviously thought they did.

The Egyptian scribe-magicians recorded the name Typhon in their spells alongside that of Seth whilst at same time indicating in code that Seth was the real name with power.

The move associated many attributes of Typhon, who is almost wholly negative with Egyptian Seth, who does or did have many positive roles as “Lord of power & might”.

His is an all seeing, powerful eye that makes him the only deity who can stare Apophis, the personification of chaos & destruction, in the eye & not be paralyzed by its evil void.

In the 20th century neopagan revival the ancient cult of Seth began to reemerge in the magical discourse but under the Greek name Typhon. Not too obvious in Crowley but his disciples, such as Kenneth Grant, thought they perceived his presence as a hidden god, which seems appropriate.

The revivalists also influenced by inspired but flawed interpretations of Egyptian culture from Victorian theosophical authors such as Gerald Massey who relied heavily on Greek pov – Egyptological material on these myths being less widely known at that time…

So, apart from historical stuff what does a post modern Typhonian actually believe or do – & how does Apophis fit into the picture? Is he or she yet another name for Seth?

“Be not unaware of me oh Seth, if you know me, I shall know you” is the ancient spell, his aloof secretive nature who knows not just what he knows but secret identities of all others.

Seth, being a monstrous soul, is the most psychologically important of the ancient ones, certainly those that have a name. His companions look like demons, but ultimately these are more useful to us than the angels, approached wisely that is.

Typhonian magick, purports to go beyond conventional morality and the politically correct, and this is reflected in the “demonic” systems with which it is often associated. The Picatrix would probably be a typical typhonian text but there again, as its Arabic title alerts us, beneath all this is the “Goal of the Wise” – an individual gnostic quest for wisdom, knowledge, self mastery, for which one must sometimes descend into hell, or the underworld, the territory of Seth.

So a Typhonian is one who descends into void, or into hell if you like, who explores the weirder byways of magick and enters the dark and the nightside, not just for the hell of it but on the firm conviction that there, and perhaps only there, will they encounter the knowledge, inspiration and love, they and their world needs. (Mogg Morgan)

Fire & water

Last night Oshun and Red Goddess came to visit me in my dream. 

All through the dream Oshun song has played and I woke up with the tune still in my head.

Just before I woke up, I could hear the Red Goddess whispering in my ear “ They are too scared to look into the mirror because they can’t see what’s behind it”…

The dream reminded me of a little story Miryamdevi told me a long time ago. 

The story of fire and water, the story of Oshun and Babalon.

“Let me tell you about Babalon, fire and water, that’s her, like Oshun, the orisha of rivers and sweet waters.

I’d been invited to a ceremony, a celebration of the great queen serpent, I thought it would be the perfect space to evoke Babalon, I needed to get some answers from her, The Scarlet Woman.

So I put on my red dress and made a little tobacco offering to put in the fire. 

I waited for a sign and when it came, it was like a rhythm of an ayahuasca dream.

The serpent is awake,

Is coiling in my tummy and heart,

It is moving and winding, its scales are bright red,

It is getting ready to move up toward my neck,

I’m terrified it is going to swallow me,

It changes into a serpent-like flower,

Changing its colour from red to yellow,

More and more serpent-like flowers are popping around me.

I can hear the Oshun song from the distance,

I am singing it,

I can hear Babalon whispering in my ears, 

To understand me, go with Oshun.

At first, Babalon and Oshun look like they have nothing in common. Oshun is the Yellow Lady of the river and sweet waters, to embody the will and the passion to create magic and change, you need to move in a wavelike motion, to be fluid like water. 

Babalon rides the flames of the ever-burning fire. If you look closely at the flames, you can see that they have a strange fluidity.

Fire, like water, always has to move, to expand, never standing still. 

So both ladies share the same qualities:  Oshun, the watery aspect of Babalon, Babalon the fiery aspect of Oshun.

You cannot create magic from still water that lacks fluidity.

You cannot create magic from tamed fire, which will soon burn out and die.

You can read the full story of Fire and Water in NakedTantra by Miryamdevi & Minanath

 

Don Webb

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Interviewed by John Wisniewski

Could you tell us about writing your latest Vampires psychic energy. What interested you in this subject?

My first serious interaction with the “occult” was the popular neo-shamanism of the 1980s – glowing light bodies perceived with the aid of drugs and a rather media-driven idea of energy (owing more to Star Trek than say the Vedas). When I had cleaned up my life, foresworn chemical aides and was seeking to explore human potential while keeping jobs and marriage I began exploring ritual magick in the context of the Temple of Set. The Temple’s Order of the Vampyre utilized “empty hand” methods involving attention, passion, glamour, atmosphere etc. The earlier (somewhat manic) methods I had used were directly applicable here WITHOUT drugs. I began a hybrid method of the Order of the Vampyre’s approach, legitimate scholarly studies of shamanism and my wild youth to develop an eclectic and pragmatic approach to the notion of energy magick. I taught it privately to my own students (beginning about 1991) and decided to teach it to a larger group.

When did you become interested in occult subjects, Don?

The Unknown knocked on my door three times. As a child I was entranced by occult media and became proficient in scaring my chums by performing seances. Puberty came and with other interests. In my early twenties I played with neo-shamanism – with mixed results. The most disappointing thing was seeing that all the humans I met with similar interests either were without morals, mentally ill or rationally impaired. I performed a Working of the Intention, “Send me to a Teacher or I’m done.” When I was 23. Economic circumstances sent me to Austin, Texas. I foreswore any occult/esoteric activities for six years, then a set of coincidences lead me to meeting. Dr. Stephen Flowers.

When did you write your first book?

My first book was Uncle Ovid’s Exercise Book which won the Fiction Collective prize in 1989, judged by Rodolfo Ayana. My first occult book was The Seven Faces of Darkness a study of Set-Typhon in the Greek Magical Papyri which came out in 1994.

Please tell us about Overthrowing the Old Gods Aleister Crowley and the Book of the Law? What did Aleister want to tell us about writing Book of the Law?

In 2004 a rather silly thread of emails appeared on an internal mailing list of the Temple of Set abut Crowley. In order to clear up some misinformation I responded with 31 short essays about notions that I perceived as important but overlooked or misunderstood about Aleister. I assumed that would be more or less my final word on the subject. My Teacher, Dr. Flowers ran a small press (then called Runa Raven Press) and I brought out a chapbook of these essays called The Fire and the Force. Dr. Flowers had a rather unscrupulous associate who told me that almost no copies of the chapbook sold and I pursued other lines of study. However a small group of Setians wanted to explore the notions in my mini-book and asked me to provide a platform to explore these ideas. I created a temporary study group (called an element in Setian jargon) to explore these ideas from the point of view of philosophy, pragmatics (or in today’s lingo “success magic”), and scholarly Egyptology. We did a 93 day working (31 days for each facet) and shared our results with the Temple. The members asked for a second 9g3 day Working, devoted to Set, Horus and Mehen (one of the forms of the conjoined Set-Horus entity). . I upgraded the Element into a permanent group the Order of the Hawk Faced Lord. I pitched a book on our ideas to Inner Traditions including a commentary on the Book of the Law, one of the few forbidden acts in Thelema.

Aleister needed a message from Beyond – he was about to give up the occult and start a normal married life. His honeymoon in Cairo was a last fling. Yet going to the King’s Chamber of the Great Pyramid with its airshaft aimed at the Big Dipper, or as the Egyptians would say the Thigh of Set, he aligned his inner needs and a cosmic purpose perfectly. Getting a revealed text is the first part. Changing your life by decoding such a text through word, thought and especially deed is the second part. Teaching others your insights is the third part. Then presenting them with your text is the fourth part. If your students can then use the text is the fifth part. Only in all of these can we say Aleister was trying to tell us something – the same message he was trying to tell himself. His message was:

a. Work on developing yourself, be hard
b. Use the fruits of your labor to improve mankind
c. While you do this, the universe will present you mysteries
d. Pursue those with the same unbending intent as in “a” above
e. Eventually an infallible internal oracle will arise
f. Trust that oracle over social conventions and received ideas
g. If you do so Victory is inevitable although difficult
h. Methods of the East (especially yoga) and the West (Especially Golden Dawn) will help. Drugs and dirty, dirty sex will also help.
i. In the meantime let me have your wallet, arse and girlfriend
j. I am a better poet than Yates
k. Spell “magic” as “Magick” there’s some great multi-lingual puns and numerology involved – trust me I am the Great Beast
A-G is pretty dead on. I-K is a little questionable.

When did you join The temple of Set, and could you tell us about writing
Mysteries of The Temple of Set?

I joined the Temple of Set in 1989. The Temple takes years to work through its grades, with the exception of Dr. Flowers, who obtained the Grade of Magus in seven years and – um me, who obtained the Grade of Magus in seven years and became the High Priest in 1996. The Temple had shunned publicity – so when an anti-esoteric backlash called the “Satanic Panic” began there was nothing about us in the world – making us a target for the most lurid tabloid remarks. As High Priest I decided to address some misconceptions plus add certain aspects of my Utterance of Xeper, the eternal word of Set, I wrote a few essays plus added a selection of my columns from the church newsletter the Scroll of Set. _Mysteries of the Temple of Set_ is the third volume of my Teachings as Magus. The others are The Seven Faces of Darkness, Uncle Setnakt’s Essential Guide to the Left Hand Path, and Uncle SetNakt’s Nightbook_. The first deals with Set and Set-Typhon in Antiquity, the second with the transcendental branch of the Western Left Hand Path, the third with the basic theology and ontology of the Temple of Set, and the last deeply esoteric related to the other three as well as an examination of my own revealed text, The Book of the Heb-Sed. With _Overthrowing the Old Gods_ I began a new set of Teachings connected with my role of Ipsissimus.

Please tell us about writing Starry wisdom. What interests you about
the writings of H. P. Lovecraft?

In 1982 I took a class called “Writing the Science Fiction Story.” You could get an “A” by writing a story or doing a research paper. I found writing a story to be much easier so I produced a dreadful Lovecraftian pastiche “Diary found in an Abandoned Jeep.” Submitting to a magazine brought an instant offer of publication – which never actually occurred, but did lead me to try my hand at Science Fiction, Fantasy and Horror writing Over the years I’ve stories in Amazing, Analog, Asimov’s, Interzone, Weird Tales (and hundreds of other places). Lovecraft appealed to me deeply because he: A) wrote in a variety of styles from lyric fantasy to science fiction B) utilized the idea of forbidden books and forgotten ruins C) helped put other writers D) created strange hoax-like situations by putting his ideas into the stories of other writers, borrowing other writers’ mythologies, and letting us friends use his and E) using a character named Webb in “The Call of Cthulhu.”

Lovecraft’s highly alien, beyond good and evil, blend of weird magick and strange science is very appealing for the human magician bored with conventional occultism. I have had a few collections of my Lovecraftian tales issued. The Washington Post said you should read my latest collection Building Strange Temples and frankly who am I to argue with the Washington Post?

What will your next book be about, Don?

I just turned in the manuscript for _A Year of Living Magically_ to Inner Traditions, It is a year-long training manual. I am working on a book of magical theory and a biography of Dr, Michael A. Aquino as my next two esoteric projects, although I may write a book on writing horror fiction based on my horror class that I’ve taught annually since 2002 at UCLA Extension.

אומנות הכאוס וגלגל השנה – סגול

בעוד כמה ימים נחגוג את בלטיין, החגיגה הטנטרית של הטבע. קונדליני מתעוררת ואיתה גאיה עמוסה בניצני פריחה ותפרחות בשלל צבעים, בעיקר גוונים של סגול. 

חרקים, חיות ואדם כאחד, זוחלים מהכוכים שלהם משפשפים את העיניים מותחים את הגפיים ויוצאים במחול חיזור סוער וחושני  ( טוב נו קצת הגזמתי, אבל אתם יודעים למה אני מתכוונת) יש משהו כזה מתוק באוויר, הזמנה רשמית מגאיה למסיבת טבע.

בהזמנה כתוב:

קוד לבוש – סגול

מומלץ לבוא יחפים ולהביא ענבים

הוא כבר הגיע לכאן

פאן.

נתראה בקרוב מאוד

גאיה.

פאן הוא המאהב של גאיה, הנשמה שלה, החיים שלה.

הוא מגיע פעם בשנה בעונה הזו ויוצא איתה בריקוד מושחת.

מנשק כל עלה ופרח בגופה הרדום. רוקד, בועט, מקפץ ורוקע בין ערוציה, מנתב זירמתו במיסתורי  נקיקיה 

בלטיין הוא המועד בו אנו חוגגים את התשוקה, התאווה, את הפיריון, או במילה אחת קטנה גדולה- סקס.

ואיך כל זה מתקשר לצבע הסגול?

אמר רבינו אליסטר קרואולי (סולם המלך, עמודה XV, הקבלה של קרואולי):

“הצבע הסגול הוא ההגמון, הבישופ של הצבעים, הוא משלב בתוכו את האדום של הדם ואת הכחול של השמיים”.

“הצבע הסגול מסמל תדר שהוא גם רוחני וגם אירוטי כאחד, זהו התדר הכי אינטנסיבי ועוצמתי בכל התדרים גם של הנפש וגם של הנשמה.”

קרואולי משתמש בצבע הסגול כמוטיב אירוטי -רוחני כדי להעביר את המסר האיזוטרי בטקסים ופולחן ת’למה.

מידי פעם הוא נהג להתהדר בכינוי “הכומר הסגול”.

דוגמא קלאסית לשימוש בצבע הסגול בכתיבה של קרואולי – מתוך ליבר אל (ספר החוק) פסקה 61 לקראת הסוף:

“אני אוהבת אותך! אני משתוקקת אליך! חיוור או סגול, מצועף או חושני, אני אשר כולי תענוג סגול ושיכרון חושים, חושקת בך. פרוש כנפיך ועורר את הפאר המתפתל בתוכך: בוא אלי!

הפסקה הבאה מתוך ההמנון לפאן:

סגול התפילה הנלהבת

הוטבל במקדש ארגמן,

חשוף ונחשק,

נשמתך יוקדת 

עין כחולה צופה

באקסטזה שלך 

מחלחלת”

אז איפה היינו?

את פולחן האביב חגגו כנראה מאז ומעולם, בעולם המערבי -באירופה בפרט יחגג הראשון במאי בריקודים ופיזוזים סביב ה -MAYPOLE (עמוד מאי) המסמל את האנרגיה הפאלית והלינגאם. העמוד מקושט בפרחים המסמלים את ניצני הפריון ואנרגית היוני.

ככל שמתקרבים לאיזורינו, בייחוד באיזור אגן הים התיכון ויוון, חגיגות פולחן האביב מרוכזות יותר סביב פולחן האל פאן.

לא יודעת מה אתכם אבל אני יודעת סביב איזה עמוד הייתי מעדיפה לפזז...

כמו שהבנתם, אומנות הכאוס מציעה את הדרך להתחבר לאנרגיה של בלטיין, לטבע ולאמא אדמה דרך העלאת התדר הסגול.

הדרך הכי קלה ובסיסית להתחבר לתדר הסגול הוא ביצירת אלתר סגול. פשר ללבוש משהו סגול ולאכול מאכלים סגולים.

 את חגיגות הבלטיין שלנו נתחיל באמבט טקסי שיעלה לנו את תדר הכישוף הסגול. 

התכונות של המים מאפשרות לנו ניקוי וטבילה רוחנית שתמיד רצויה ומומלצת לפני פעילות מאגית.

בלטיין – טקס אמבטיה

הכינו את חדר האמבטיה כמו שאתם מכינים את המרחב הטקסי שלכם, פרחים, נרות, מוזיקה,  אלתר סגול, כל מה שעולה על דעתכם שיתאים לטקס באמבטיה.

הכינו את תערובת השמנים לאמבט והניחו אותה על האלתר.

מלאו את האמבטיה במים בטמפרטורה שתהיה נעימה ונוחה לכם – מומלץ לשבת באמבט השמנים לפחות 15 דקות. כשהאמבטיה מלאה, הוסיפו את תערובת השמנים למים וערבבו אותם לתוך המים כשאתם “מציירים” בתוך המים את סמל האינסוף. זה הזמן להגיד את כוונותיכם, תפילותיכם, להציע את מנחתכם – הגוף שלכם – למים ולשמנים שיפתחו לכם את הפורטל ויחברו אתכם לתדר הסגול.

זה הזמן לשים קצת מוזיקה או הקלטה של דמיון מודרך או מנטרה. אני בדרך כלל מקליטה מראש את המנטרה שאני רוצה לצלול לתוכה באמבטיה, להעלאת התדר הסגול אקשיב למנטרה הבאה לעורר את האלה קונדליני.

Om Hreem Kleem Shreem Yam Ram Lam Sham Dam Vam Tam 

הכנסו למים ושכבו בנוח, עצמו את עיניכם והקשיבו למנטרה או למוזיקה שבחרתם.

15 דקות זה בדרך כלל הזמן שלוקח לגוף שלנו להגיע לרגיעה כללית שמאפשר לתערובת השמנים לפעול את קסמה על התודעה שלנו.

לאחר צאתכם מהאמבטיה, המהדרין ילבשו בגדים סגולים כל השאר ילבשו מה שבא להם.

נמשיך בטקס בלטיין בקריאה לפאן שיבוא ויעיר ויעטוף אותנו באנרגיה הפראית שלו אנרגיה של אביב וטבע מתעורר משנת חורף ארוכה.

ראפ לפאן

בתאוות אור קסומה, 

הו גבר!

איש שלי!

בוא וצא בסערה מהלילה 

של פאן! יו פאן! 

יו פאן! יו פאן! 

בוא וצא 

משאמבלה וגן עדן! 

משוטט כמו בכחוס, 

עם שומרים ובנות לוויה, 

זכרות נוקשה על אתון לבנה, 

בוא וצא מהים 

ובוא אלי, אליי!

בוא עם כוהנת בשמלת כלה (פיתונית ורועה) 

בוא עם ארטמיס,

בנעלי משי

ששטפה את ירכך הלבנה, 

אלוהים יפהפה, 

בקרחת היער, 

על הלוטוס דרכת, 

בלשונך המוזהבת 

אותי ברכת 

סגול התפילה הנלהבת

הוטבל במקדש ארגמן,

חשוף ונחשק,

נשמתך יוקדת 

עין כחולה צופה

באקסטזה שלך 

מחלחלת

בסבך החורש העתיק

העץ והחי 

עם רוח ונפש, גוף ושכל – 

בוא מעל הים, 

יו פאן! יו פאן!

שטן או אל, 

אליי, אליי, 

שלי! שלי!

האיש שלי! האיש שלי! 

בוא עם חצוצרות  

מעל הגבעה! 

בוא עם תופים רועמים 

מהאביב! 

בוא עם חליל ובוא עם מקטרת! 

האם אני כבר בשל? 

אני, שמחכה רועד ונאבק 

עם נשימה מפרפרת

שלא מוצאת את הדרך 

ליישב את גופי, 

עייפה מחיבוק ריק, 

חזקה כמו אריה 

חלקה כנחש – 

בואי, בוא! 

אני קהה 

מתאוות השטן 

הבודדת. 

דחוף את החרב דרך כבלי הברזל, 

זולל-כל, בורא כל; 

תן לי את אות 

העין הפקוחה, 

ואת הסימן שעוררה 

ירך התשוקה

ואת מילת הטירוף והמסתורין, 

הו פאן! יו פאן! 

יו פאן! יו פאן פאן! פאן פאן! פאן, 

אני האהבה 

עשה בי כרצונך, כפי שהאל

הגדול יכול

הו פאן! יו פאן! 

יו פאן! יו פאן פאן! 

אני מתעורר אוחז בנחש. 

במקור ובטופר הנשרים חותכים; 

האלים נסוגים 

החיות באות. 

יו פאן! 

נולדתי לבוא ולמות על הקרן  

 של חד הקרן.

אני פאן! יו פאן! 

יו פאן פאן! פאן! 

אני בן זוגך, אני האחד שלך, 

עז מצאנך 

אני זהב, 

אני אלוהיך, 

בשר לעצמותיך, 

פרח למטיך. 

עם פרסות פלדה אני מקפץ 

על סלעים 

מזריחת השמש  ביום המפנה

ועד ליום השוויון. 

ואני משתולל; ואני מיילל ואני קורע 

ואני הנצח, עולם ללא סוף, 

אחוז דיבוק מלא בסודות, 

אישה, גבר, בכוח של פאן. 

יו פאן! יו פאן פאן! פאן! יו פאן!

(תרגום חופשי מבוסס על ההמנון לפאן מאת אליסטר קרואולי) 

אם אתם בזוגיות, מניחה שהחגיגות ימשכו באופן ספונטני ומסויים, אם אתם בחברותא מסיבת הוללות  “עד דלא ידע” של שיכרון חושים או טראנס עמוק יעלו את האנרגיה של פאן ויחברו אתכם לתדר הסגול הזה שמסביב. בלטיין יצא ממש קרוב לל”ג בעומר השנה אז אפשר לחגוג מסביב למדורה רק לא לשכוח לשים לב לחיות ולסביבה.

כמו מטה לאל וגביע לאלה

כשמש לירח ושמים לארץ, כמו שאהבה היא לאהוב,

הברכה תבוא לחוגגים יחדיו

תערובת שמנים לאמבטית בלטיין:

בקערה קטנה ערבבו:

1 כף מלח ים או הימלאיה

3-5 טיפות של פטצ’ולי

4 טיפות ילאנג ילאנג

2-3 טיפות יסמין

5 טיפות ברגמוט / מנדרינה / לימון

אופציה שניה

במידה ואתם יכולים להשיג שמן רוטווה  (Ruthvah oil) ערבבו בכף מלח 3-5 טיפות של השמן (הריח מאוד דומיננטי לא הייתי ממליצה לשים יותר ולא רואה טעם לערבב אותו עם שמנים אחרים כי יאפיל עליהם).

אופציה שלישית

במידה ואין לכם גישה לאמבטיה אפשר לעשות את אותה התערובת בבקבוקון קטן 30- 50 מל. למלא את הבקבוקון בערך שני שליש גובה, בשמן שקדים או שמן צמחי אחר לבחירתכם ואז לטפטף את אותו מספר הטיפות שבמתכון המקורי (ללא המלח כמובן). את השמן תמרחו על עצמכם בנקודות משיחה סימבוליות- העין השלישית, צוואר, לב, סולאר פלקסוס וכפות הרגליים.

אופציה רביעית

למי שאין אפשרות לאמבטיה ו או לשמנים אתריים אפשר להשתמש בקטורת יסמין, ורד, סנדלווד, פטצולי או וניל או כל קטורת שיש בהישג ידכם. הדליקו את הקטורת ועטפו את גופכם וההילה שלכם בעשן הקטורת.

נתראה ביום ההיפוך הקייצי לקסם צהוב

Horus’s Protection

Horus’s protection is that of Him in the Sun-Disk, who lights the Two Lands with the light of his eyes-
and the protection of the afflicted as well.

Horus’s protection is that of Nut’s oldest son, who regulates the conduct of what is and what isn’t-
and the protection of the afflicted as well.

Horus’s protection is that of that great Traveller, who goes around the Two Lands at twilight-
and the protection of the afflicted as well.

Horus’s protection is that of the Lion in the night, who sails at the front of the sunset mountain-
and the protection of the afflicted as well.

Horus’s protection is that of the great hidden Ram, who goes around through his sacred eyes-
and the protection of the afflicted as well.

Horus’s protection is that of the great Falcon, who hovers in the sky, earth, and the Netherworld-
and the protection of the afflicted as well.

Horus’s protection is that of the great worthy Scarab, who flies in Nut-
and the protection of the afflicted as well.

Horus’s protection is that of the secret Corpse in his shape of one who is in his sarcophagus-
and the protection of the afflicted as well.

Horus’s protection is that of the Netherworlder of the Two Lands, who goes around in the above, with secret features-and the protection of the afflicted as well.
Horus’s protection is that of the divine Phoenix, who climbs through his sacred eyes-
and the protection of the afflicted as well.

Horus’s protection is that of his own body, with the magic of his mother Isis protecting it-
(and the protection of the afflicted as well).

Horus’s protection is that of the identities of his father in his cult in the nomes-
and the protection of the afflicted as well.

Horus’s protection is that of the mourning of his mother and the cries of his brother-
and the protection of the afflicted as well.

Horus’s protection is that of his own identity, which the gods serve by helping him-
and the protection of the afflicted as well.

“Awaken, Horus! Your protection is established. You should make the heart of your mother happy. Horus’s voice will lift up hearts when he has calmed her who was worried. Let your hearts be glad, you who are in Nut (the sky), for Horus has avenged his father.

 

 

Translated from Metternich Stela by A H Allen 

Originally uttered as the protection spell for Horus among the crocodiles, makes a good invocation of the power of Horus in any appropriate context

Amduat: The Great Awakening

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By guest Blogger Diana Kreikamp

The ancient Egyptian Amduat is an important funeral text with twelve illustrations from Egyptian antiquity that describes the journey after life.

The Amduat tells the story of the Sungod Râ as he travels through the twelve hours of the night. At the end of the day the sun has lost his power to shine. Aged and exhausted Râ sinks beneath the horizon of the West. The sun has died and the world becomes shrouded in darkness. Then, twelve hours later, the sun arises again from the horizon of the East. Râ is reborn and his renewed appearance returns the light to the world. Thus, Râ has transformed death into a new life.

The extraordinary thing about the Amduat is the fact that the transformation process of the death and subsequent rebirth of Râ, has been described and depicted in twelve phases, or hours. The Amduat sends a clear message that death isn’t the end. Death is simply a transition from the old into a new phase; a new life. This grants men insight and trust in the mysteries surrounding death. It is clear that the Amduat is so much more than a simple mythical story telling the nightly voyage of the sun.

The Duat

The word Amduat means; “Book of the Hidden Chambre”. The word can also be translated as “What is in the Duat”. When a person dies, their soul goes to an area known as the Duat. After sundown, the Sungod Râ disappears in the Duat to start his journey through the First Hour of the night. The Sungod sails on a river through this nightly landscape on his boat. There are various Gods and animals standing on both sides of this river to support Râ during his journey. However, there also are creatures there intending to destroy Râ.

Every hour is inhabited by different beings and has a different landscape. For example, one such hour is dominated by a dry dessert whereas another one contains an abundance of water. The twelve hour journey proves to be full of challenges. Râ has to brave many counteracting forces to eventually become reborn at the end of the Twelfth Hour in the Eastern horizon.

Universal journey

To understand the ancient symbolical language of the Amduat, I completed many years of research and translated various old hieroglyphic texts anew to properly understand the underlying message. During ten years I meditated daily using the texts and images of the Amduat. The Egyptian heritage centers on spirituality and goes far beyond the layer of rational thinking. Back then, life was about making contact with the Divine through worship and servitude of the Gods in the many temples.

Meditation exceeds rational thinking and allows you to descend into the dimension beyond the visible and tangible earthly life. You connect with a different layer of knowledge that lies deep within the sub consciousness. In doing so, I discovered that the nightly voyage of the Sungod is a symbolical reference to the universal journey of mankind.

Raising awareness

The sun, or the light, is the symbol of consciousness and of the higher aspect of oneself. On a more profound layer, the journey through the Duat is a voyage that makes one aware of his True Self. The Duat symbolises our inner world, or our sub consciousness. In order to become aware of it, we have to descend into our inner world. The knowledge we gain while there, can be brought up so we can reflect it to the knowledge in the world outside of ourselves. The reflection of two opposites gifts us a reference and allows our consciousness to expand, or our awareness to rise.

During our lives, we develop ourselves as a child into adulthood, which makes our consciousness grow naturally. Each time, old perspectives and convictions are let go to make place for a renewed vision and consciousness. This makes us grow and become more aware of who we are and our place in the world.

However, there lies the paradox since this natural process of becoming aware usually happens unconsciously. Most people live their lives without knowing exactly who they are. The connection with the true core, or their Higher Self, is on a subconscious level. Every human being has to follow their own path. When we are conscious of the higher aspect of ourselves, then our inner Sungod can take the lead. Then we can connect and identify ourselves with the hidden light within and use it as our inner power. The Knowledge of our Self reveals our unique talents that can subsequently be put to use in your daily lives to complete the tasks we are meant to do.

Spiritual system

The Amduat contains an ingenious system that we can use to become aware of who we truly are. It teaches us to connect with our True Self to awaken in a higher plane of consciousness. By following the sun through the twelve hours of the night, we are brought back to our core and make contact with our own inner Sungod, the Higher Self. On the way, inner blockades need to be cleared that otherwise impede the descent into our true core. Every time again a layer is scraped off in your inner being, similar to polishing a diamond in the rough.

This is an intense process for during this journey your True Self is revealed. Of course, this sounds fantastic. However, do be aware that the confrontation with this light aspect will have the same impact as the confrontations with the shadow part of yourself. We are inclined to deny both sides and to turn a blind eye to the truth.

Death and rebirth

The journey through the twelve hours of the night is an initiation during which a transition takes place. The old consciousness is dissolved and transformed in the rebirth and awakening of a new consciousness. This is why it is a journey of life and death. During our life, only our old consciousness dies to make place for the birth of a renewed self. We no longer are the child we once were, nor the same person we were yesterday. We have transformed ourselves again and again into a renewed version of ourselves.

When working with the Amduat, we simultaneously learn to die in a befitting manner at the end of our lives. That is the moment when we truly experience the journey to rebirth. Therefore, the voyage through the Duat is destined for both the deceased and any living soul on earth.

Meditation

Even though the Amduat is thousands of years old, the system is still applicable now. In my book I explain the voyage of the sun in great detail. Each hour is described from an academic as well as an esoteric perspective. By bridging the gap between rational and inner knowledge, you are able to gain a more profound understanding. Furthermore, every hour I explain the process of transformation that you will experience when you partake in the journey through meditation.

The Amduat contains many texts and hundreds of Deities to focus your meditation on. These Deities are gateways that open when you focus your attention on them. All of them are reflections of your inner being and set something in motion within you. The resulting inner images then take on a tangible form in real life as well. They subject you to trials and hold up a mirror to you. Each hour has its own energy and specific effect on you. Step by step, you learn to look beyond the outer layers and make contact with the true reality hidden underneath. That is how the Amduat provides a system to stimulate the process of raising awareness in a structured manner.

Diana Kreikamp

Reading the book

Do you want to dive into the heritage of the ancient Egyptians; the Amduat? Then read the book; Amduat: The Great Awakening. It contains the nightly voyage through the Duat in much detail as well as a wealth of information about the ancient Egyptian tradition.

Diana Kreikamp, “Amduat: The Great Awakening”.
(Released in May 2021)