The Anubis ritual

The Anubis ritual is based on an ancient Egyptian ritual which is similar to a seance. The priest/ess of Anubis invokes Anubis’s Godform into the medium which will channel Anubis’s knowledge concerning the other deities which will be invited into the “table”.

This year we invite to the table: Geb the God of the Earth, and Nuit – the Goddess of the sky (Geb & Nuit are lovers and the parents of Osiris, Set, Isis, Nephtis and Horus the Elder). As is the time of Green Magick we also think that we have to invite the God Min – which is the most ancient form of the God Pan.

Min

Min is an ancient Egyptian god whose cult originated in the predynastic period (4th millennium BCE). He was represented in many different forms but was most often represented in male human form, shown with an erect penis which he holds in his right hand and an upheld left arm holding a flail.

As the central deity of fertility and possibly orgiastic rites, Min became identified by the Greeks with the god Pan. One feature of Min worship was the wild prickly lettuce Lactuca serriola (the domestic version of which is Lactuca sativa (lettuce)), which has aphrodisiac and opiate qualities and produces latex when cut, possibly identified with semen.

Celebrations of Min’s birthday are recorded on Egypt’s oldest memorials such as the 1st Dynasty Palermo stone. But his cult is even older reaching back to the prehistoric era when he was a deity of fertility, sexual reproduction and natural phenomena such as storms. His erection is his most famous attribute — combined as it is with his raised arm and flail some have speculated that this is all part of an aggressive/protective posture. 

His main centres were Koptos (Kuft) & Panopolis (Akhmim). His symbols are the Thunderbolt, the White Bull, the Flail and the Phallus. Wallis Budge speculates there was also a lunar component to his cult. Min is also called ka-mwt-f “Bull of his mother” a reference to the incestuous impregnation of his mother, an epithet of various gods, including Horus, also Geb who kills his father Shu in order to ravage Tefnut. Before getting too outraged, it’s as well to remember this is an agricultural motif and refers to the reproductive activity of bulls and cows. Min’s archaic shrine was a phallic-shaped hut, woven from two significant and emblematic plants — the White Lotus & the (narcotic) Blue Lily (Nymphaea caerulea). 

The blossoms and foliage of these flowers are to be woven into a model phallus or perhaps a crown. The traditional hymns are referred to as “Danced”, implying they are rhythmic chants.

Danced Hymn for Min 

who is on his staircase

Hail to you, 

Min, Min Ra

Welcome

On your staircase

Hail to you

Min, Min Ra

And the crown you wear 

on your forehead

Hail to you 

Mysterious Min

“Bull of his mother”

Much that you do remains in obscurity

You are unique

To whom praise is given

You have power to give life 

To those you love

Powerful to give him to be propitiated

He is unique here

To whom has been conferred the function 

of the unknown god

While you go out of the great door

And are standing on your stairway of truth

Speaking with Osiris hour by hour

See, that which you ordain

For protection

Against all bad things

Min justified before your enemies

In the sky and on the earth

By the judges of all the gods

And all the goddesses.

NWT/ NUT/ NUIT & GEB

Nuit is the daughter of Shu and Tefnut. Her brother and husband is Geb. She had five children – Osiris, Set, Isis, Nephthys and Horus the Elder. She is considered one of the oldest deities in the Egyptian pantheon, with her origin being found in the creation story of Heliopolis

Her name means “The watery one” which may also symbolize the uterus. She represents the sky but not as the lifeless roof of heaven but as a dynamic entity, creating and destroying. She also represented the entire sky. Night and day as well as large features such as the Milky Way.

The female sky is the realm of the dead, whereas the Earth is for the living. This perhaps explains the male rulership of the Earth.

Nuit is intimately connected with the stars, especially those that are close to and appear to envelop our world. According to The Book of NWT, creation begins with the ambisexual Amun-Ra or Sungod Ra. he has the power to emanate part of himself, creating other Gods and Goddesses. He starts with Shu and Tefnut, who represent the principles of air and fire respectively. The process of emanation continues and they generate NWT the sky Goddess and Geb the Earth.

Nwt and Geb are locked together in a sexual embrace, almost a single entity. It is Shu, the God of the winds and the air who separates them, creating a space between all these elements in which our world can exist.

Geb was the Egyptian god of the earth and a mythological member of the Ennead of Heliopolis. He could also be considered a father of snakes. It was believed in ancient Egypt that Geb’s laughter created earthquakes and that he allowed crops to grow.

The oldest representation in a fragmentary relief of the god was as an anthropomorphic bearded being accompanied by his name, dating from king Djoser’s reign, 3rd Dynasty, and was found in Heliopolis. However, the god never received a temple of his own. In later times he could also be depicted as a ram, a bull or a crocodile.

Geb was frequently feared as the father of snakes (one of the names for snake was s3-t3 – “son of the earth”). In a Coffin Texts spell Geb was described as the father of the mythological snake Nehebkau of primaeval times. Geb could also be regarded as personified fertile earth and barren desert.

In the Heliopolitan Ennead (a group of nine gods created in the beginning by the one god Atum or Ra), Geb is the husband of Nwt, the sky or visible daytime and nightly firmament, the son of the earlier primordial elements Tefnut (moisture) and Shu (“emptiness”), and the father to the five lesser gods of the system – Osiris, Seth, Isis, Nephthys and Horus the Elder. In this context, Geb was believed to have originally been engaged with Nut and had to be separated from her by Shu, the god of the air. Consequently, in mythological depictions, Geb was shown as a man reclining, sometimes with his phallus still pointed towards Nwt. Geb and Nut together formed the permanent boundary between the primaeval waters and the newly created world.

His association with vegetation, healing and sometimes with the underworld and royalty brought Geb the occasional interpretation that he was the husband of Renenutet, a minor goddess of the harvest and also a mythological caretaker (the meaning of her name is “nursing snake”) of the young king in the shape of a cobra, who herself could also be regarded as the mother of Nehebkau, a primaeval snake god associated with the underworld.

Sources: 

Egyptian magick (Morgan: 2021) 

Demonic Calendar (Morgan: 2021)

 

The Hierophant – Love and do what you will

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Chapter 3, verse xi: “Let the woman be girt with a sword before me”.

The symbolism of Crowley’s Thoth tarot is much more profound than the usual tarot meanings and symbolism. Crowley had a wonderful underlined subtext and messages communicating his ideas and beliefs through the Thoth tarot deck. I find his ‘secret’ symbolism and messages fascinating. 

Before we start to explore the symbolism of this card, remember we are only approaching it from the Crowlian point of view and a very specific one – which is mine. 

Let us understand first who is the Hierophant and what it represents.

The Hierophant is a person, especially a priest, who interprets sacred mysteries or esoteric principles. 

According to Wikipedia, a hierophant (Ancient Greek: ἱεροφάντης) is a person who brings religious congregants into the presence of that which is deemed holy.  As such, a hierophant interprets sacred mysteries and arcane principles. In Attica, Hierophant was the title of the chief priest at the Eleusinian Mysteries. It was an office inherited within the Philaidae or Eumolpidae families. The office of Hierophant, High Priestess and Dadouchousa Priestess were all inherited within the Philaidae or Eumolpidae families, and the Hierophant and the High Priestess were of equal rank. It was the task of the High Priestess to impersonate the roles of the goddesses Demeter and Persephone in the enactment during the Mysteries.

The Hierophant is associated with the element of earth.

From the above, we can understand that the hierophant is a top religious figure like the Pope, or the chief Rabbi if you like, whose job was to be a conductor, a channel, funnel or mediator between the gods and the people. In this particular card, focusing only on the hidden symbolism, the hierophant is the representation of the goddess Nuit.

Nuit represents the element of infinite space. The mother of all stars – after all – “Every man and every woman is a star” (chapter 1, verse 3). Nuit is also the place each star is return to when his or her light diminishes. She is also the divine law. The law that the hierophant needs to transmit to her followers. 

 “Let the woman be girt with a sword before me” 

At the front of the card, before the hierophant, we can see the woman girt with a sword. 

According to The Book of Thoth, “she represents the Scarlet Woman in the hierarchy of the new Aeon” or in other words, representative of the ‘new woman’, ie, no more just a housewife or a pretty decor on the arm of her husband or boyfriend, but armed and militant, seeking her truth and equal rights. 

We can see how all of this manifests in the feminist movement of the 70s and the Me Too movement of our days. 

The woman girt with a sword , “The woman is the priestess; in her reposes the mystery. She is the mother, brooding yet tender; the lover, at once passionate and aloof; the wife, revered and cherished. She is the witch woman.” (Freedom is a two-edged Sword, Jack Parsons)

The deeper you look into the hidden symbolism and meaning of this mysterious woman, the clear it gets, that she can be Nuit herself, guarding the divine law.  

The law is simple and clear and it’s the hierophant’s job to pass it to his congregation:

“Do what thou wilt shall be the whole of the Law”

“Love is the law, love under will”

Or in our words 

Love and do what you will

***

“The symbolism of the Wand is peculiar” – Solve et Coagula

Crowley describes the three interlaced rings of the wand, as a “representative of the three Aeons of Isis, Osiris and Horus”. However, on a closer look, we see that the hierophant holding the wand with its three rings aspiring upward, in his right hand (solve).  

As a Setian/Typhonian, I couldn’t help the thought that the three interlaced rings, would be much more comfortable in the right hand of destruction (solve) as a representative of Set, Osiris & Ra. 

Set and Osiris are both Ra’s grandsons and make a sacred triad. Both brothers have to sacrifice themselves for the continuation of Ra — of life — Osiris by getting killed by his brother Set, and Set killing his brother and becoming the ‘outcast’ God. (Aromagick)

The demonstration cycle of life through destruction and creation is continued with the symbolism of the hierophant’s left hand.

His left hand (coagula) is pointing downward in the Shamak mudra hand position. I must admit that this never occurred to me before, but once I become aware of it, I could not un-see it. 

The Shamak mudra also calls the kidney mudra, is the perfect hand position to deliver the message of Solve et Coagula (destruction and creation). In the beginning, I couldn’t see the connection between the kidney mudra to the word coagula and what it represents in the occult symbolism, especially here, to the hierophant and his wand. 

Coagulation means The action or process of a liquid, especially blood, changing to a solid or semi-solid state.
“a supplement that inhibits blood coagulation”

The main function of the kidneys is to cleanse the blood of toxins and transform the waste into urine.

The hierophant’s right hand in the Shamak mudra, suggests that before we can coagulate, we must be cleansed and purified of all toxins. Only then can we coagulate into our new and transformed selves. 

“The Throne of the Hierophant is surrounded by elephants, which are of the nature of Taurus; and he is actually seated upon a bull.”

At first look, the card seems to resonate with the symbolism of the zodiac sign Taurus, which is an earth sign. The element of earth is represented in this card as the Bull Kerub and symbolises the earth element at its most balanced and strongest. If we look at the symbolism of the bull from the Setian perspective, it takes us back to the cattle cult which is probably the oldest cult in the world. 

Cave painting from the Tassili n’Ajjer mountains

All Egyptian male deities have bull avatars. The Bull of Ombos is the avatar of Set. The Bull Cult probably sprang out of the Cattle cult linking deities like the Heavenly Cow/Hathor which represents the female aspect of the cult. 

The bull symbolises male fertility and potency and is connected with energy, stamina, endurance, protection, and aggression. As a symbol of strength, the bull was worshipped throughout the ancient world. From the astrological point of view, the zodiac sign of Taurus is linked to Spring in the agriculture calendar. Symbolising the season of rebirth, wealth and abundance. The bull also stands as a symbol of stubbornness, ferocity, tyranny and brutality, all the characteristics of a powerful God/s, and will make an honourable sacrifice for the almighty.

We might think, that we have moved on from the religious practices and worship of the bull’s cult, but today, the cattle cult assumed a different structure — the dairy and meat industry, that most of us are pretty much worshipping still.

Just to remind you, a hierophant is a person who brings religious congregants into the presence of that which is deemed holy.  As such, a hierophant interprets sacred mysteries and arcane principles.

In this card, the hierophant symbolises the link to the secret of the rhythm of time and the ancient practice of the worship of the bull. 

The secrets of the time lords are encoded in the divine law which is guarded by Nuit/NWT and delivered by the hierophant.

Timelord (?)