Zar is the name of an exorcism dance tradition known most commonly from Egypt. The word is itself of obscure origin but the most likely explanation is that it means a “visitation”. When western observers first encountered Zar in Egypt they described it as “black magic”:
“WITHIN only a comparatively short period of years,” says Professor Macdonald, “quite easily within thirty years, I should say — we have come to know that practically all through the Moslem world there is spread an observance exactly like the Black Mass in Christendom. That is to say, it is a profane parody of a sacred service. ..”
The heartland of Zar is modern Sudan, which was in the ancient world known as Nubia, the “land of gold”. The Nubians were famous as practitioners of sorcery. Sudanese people have in past been forcibly relocated all over the Middle East via the slave trade, thus there are different kinds of Zar, the most famous being Egypt Zar, but there are also branches all over the Mehreb, Moroccan (Gnawa), Libya, Algeria, and also Iran where they are known as the people of the air. Zar spirits can be Pagan, Muslim, Hindu, Christian or Jewish.
Initiations into the cult could be “demonic” – that is one becomes an initiate because of an encounter with a specific disease spirit. One instinctively recognizes the musical signature of your first spirit. Depression is one of the most common triggers for Zar possession, something that, for example, commonly afflicts Egyptian women. From the Iranian branch, we learn that there are in fact 72 different kinds of Zar spirits.
Masters of the Zar circle are known as Baba or Mama – father or mother. They are experts in all the different Zar spirits, having been introduced to them by their first spirit initiator. These spirits are very similar to those from pharaonic Egypt – where they were known as the Akh or Akhw. These terms have been compared to Arabic Afarit, a kind of Djinn. Actually, Djinns are fiery spirits whereas the Zar spirits often live under the earth in places such as caves or tombs.
A contact in Egypt, thinking I might help, told me about the problems experienced by his sister who would fall into a spontaneous possession trance that was catatonic. When her relatives spoke to her in this state and asked what she wanted, the spirit would reply “she wants a divorce.” The spirits are very practical and make a lot of sense in people’s lives. So the first question one should always put to such as spirit should be: “what do you want?”
Often part of the answer is a ceremony of some kind, which like many ancient folk rituals was ecstatic. The ceremony breaks many taboos and can involve alcohol, food, music and ecstatic dance in mixed company. It is important to have a blood sacrifice, usually a goat, whose blood will be offered to the spirits, while the human participants share the feast.
Wadôh wadêh ‘eni wadôh – yâ mamma / or Al La (Mogg Morgan author of Supernatural Assault in Ancient Egypt)
The Masters of Zar
Around 7 pm we were ready to go and meet with the Masters of Zar at the El Dammah Theater, we couldn’t find the theatre on the map and weren’t sure about the address so we got Essmat to write the address and the name of the theatre in Arabic so we can show it to the Taxi driver. Thanks to Essmat’s note, the Taxi driver could find the place which was tucked away at the back of a tiny ally. Inside, a very small theatre, maybe enough room for about 50 people. There were not many people, only us and 4 other British guys and about 10 locals.
At exactly eight o’clock three “mamas” enter. They are dressed in beautiful traditional dresses. The “crone” is dressed in royal blue, the “mother” is dressed in black and the “young” was dressed in red (the youngest probably in her fifties the oldest probably in her eighties). They started singing and chanting and one by one the other members of the group entered. They are drumming and chanting and building the rhythm into a very energetic trance beat which makes you want to get up and dance.
Four British guys are sitting in the front row and it doesn’t take long before one of them gets up and dances with the zar troops. The three mamas dance around him and it looks to me that they are guiding him into a deeper trance – they are circling and chanting around him dancing, hypnotising him, like they are putting a spell on him or maybe they are trying to break the spell that he’s been under…who knows?…
The atmosphere in the room is buzzing and I am sitting at the edge of my chair waiting for the right moment to get up and join in the magickal Zar circle. While thinking that, one of the Zar members approached me, he was a very handsome black man, very tall and looked like an Egyptian Pharaoh, all regal and beautiful in his white Jalabia. He took my hand and lead me towards the dancers. As soon as we got into the circle the three mamas circled and danced around me, it felt like they are trying to show me something so I follow their moves which apparently was the right thing to do as the 2 older mamas moved on to dance with the 2 guys, and left me with the third one – The Black Mama, she showed me her moves which I followed and repeated. The rhythm and beat of the music grew faster and more hypnotic, I could feel I’m going into trance. The eldest of the company, who I suspect was the leader, got closer and started to dance with me, while dancing together the rest of the company formed a dancing circle around us. The rhythm of the drums became faster and louder all smiling at me like they know something I don’t. I feel hypnotised, I dance the ancient dance with the company of wild Egyptian gypsies, the elder looked into my eyes, said something and smile and handed his drum over to me!
HE HANDED HIS DRUM TO ME!!!
I nearly fainted, this is the deepest shamanic initiation I know, holding THE DRUM in my hand I felt the buzz of its rhythm vibrating all over my body and in my heart. The three mamas are circling us and it feels to me that they are flying around us. I’m so excited and nervous at the same time, I can hear my drum completely out of tune, the “red mama” looked at me and with her eyes, I can see her asking, “what are you doing woman? You are out of tune”! I gave her the drum back and thanked her for saving me from total embarrassment. From the corner of my eye, I see the black prince leads Mina into the circle and before I knew it the “black mama” is taking me by the hand and Mina with her other hand and dances with both of us, everyone in the circle is cheering and dancing around us, the atmosphere is intoxicating, this is all a bit too much for me, I feel that I’m going to explode with joy, I need to sit down. I leave the circle feeling like I’m walking on clouds, feeling I am blessed.
The show’s going on for a little while longer, and once it was finished I went to say goodbye to the three mamas. I get hugs and kisses from all of them, but it’s the Blue Mama, the eldest, she really got me. She gave me a big big hug, kissed both of my cheeks, looked into my eyes and said: “Habibty, Ya-Albi” ( “my darling, my beloved – my heart”), I was in tears. I kissed her back and thanked her.
For one long moment, we were one, I was as one with her, I was a Zar.