Yogini Magic

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Yogini Magic

The Sorcery, Enchantment, And Witchcraft of The Divine Feminine

By Gregory Peters

ISBN: 9781618697257

U.S. Price $24.95

When I heard about the release of Yogini Magic by Gregory Peters, I was filled with excitement and anticipation. As I was already in the process of writing my book Aromagick, I knew that Yogini Magic would provide valuable insights into the Kalas and shed light on the more enigmatic aspect of the Yoginis. My understanding of the Kalas/Yoginis was based on classical texts and Kenneth Grant’s theories on “Lunar Perfume,” as well as my own practical and intuitive experiences through meditation, dreams, and heightened sense of smell. When I finally received a copy of Yogini Magic, I was deeply immersed in my own “Kala Magic” and didn’t want any outside influences to interfere with my experiences. Thus, I decided to postpone reading it until after completing Aromagick. In the meantime, I placed Yogini Magic on my altar alongside my collection of perfumes dedicated to the Kalas I was currently working with. This allowed me to continue writing about my encounters without interruption.

It was only after reaching out to Ugraprabha that I decided to seek Gregory’s thoughts on her. My past encounters with Yoginis have shown that when you are ready, one of them will find a way to connect with you. Nityaklinna, for instance, appeared in my dreams for months before I mustered the courage to engage with her and learn from her wisdom and sorcery. Once I opened the ‘gate’ and reached out to her, other yoginis quickly followed suit (at times, it felt like a flood of them entering through the gate, which can be quite overwhelming…)

Upon meeting Ugra, I was struck by a sense of familiarity. But when I tried to connect with her sister, Ugraprabha, I was disappointed to find that we did not share the same connection. Despite my efforts to gather information about her, I came up empty-handed (perhaps due to searching in the wrong places). At times, it seemed as if she was annoyed with me for reasons unknown and other times, I felt frustrated that there was something right in front of me that I couldn’t see. In light of this, I have decided to turn to Gregory Peters’ Yogini Magic for insights on her.

As I flipped through the book, it was clear that this was a must-read for me as there were countless useful insights within its pages. In the first section, Yogini Magic delves into the origins and development of Yogini worship and lineage. With his simple and approachable writing, Gregory introduces us to The Sahaja Matrikas and explains in easy-to-understand terms the concept of Who are the Yoginis – something I had struggled with for a long time and am still learning. Chapter 4 offers practical meditation techniques and pranayama for daily use, followed by an exploration of sound sorcery in Chapter 5. Then, in Chapter 7, we are introduced to the powerful tools and energies of the Yogini stones and how to utilize them. I was particularly drawn to this concept and have already started collecting some stones myself.

In the second half of the book, we are guided through the practical use of various techniques such as sigils, day magic, and working with dreams. We also learn about opening the Yogini circle and how to approach The Crossroad in our magical practice. Each chapter offers valuable insights and leads us on a personal journey of initiation into the magic of the Yoginis.

Personally, chapter 16 and the author’s depictions of the Yoginis had a profound impact on my understanding and practice. The vivid descriptions and personal gnosis brought about by both left a lasting impression, greatly transforming my relationship with these mystical beings.

Gregory Peters’ portrayal of Ugraprabha provided the final motivation for me to complete Aromagick. In my quest for knowledge on Ugraprabha, I felt as though I was overlooking a crucial element that was right in front of me.

Gregory wrote about her “Sometimes she appears with the head of a fox…” 

For me, an initiate of the Fox Magic cult, this single sentence offers a complex understanding of the intricacies and mysteries surrounding the sorcery of the Fox, Yogini, and Lalita’s never-ending game.

Ugraprabha, an AI image inspired by Gregory Peters’ vision

Ugraprabha, an AI image inspired by Gregory Peters’ vision

Diti J Morgan is the Author of Aromagick: A Scentual Guide to The Kalas And The 8 Colours of Magick  

Aromagick: A scentual guide to the Kalas and the 8 colours of Magick

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Aromagick offers genuine insights into the mysteries of the Tantrik “kalas”, something often referenced by other esoteric authors such as the AMOOKOS mages, Kenneth Grant et al. The fruit of a lot of experimentation and personal insight, this ought to be a welcome addition to the library of any mystoi, magician, or yogin, indeed anyone with an interest in the most direct of our senses and how these may be enlisted in the work of deep magick. The author also offers a second scentual sequence explicating the eight-colour system made famous in chaos magick. It is perhaps no surprise that the UK chaos magick scene grew out of, or developed pari passu with an interest in aromatics, real essential oils and incense. We recommend this for all mind explorers, especially those with a good nose for a mystery. 

 

 

In creating Aromagick,  Diti J. Morgan has crafted a beautiful and inspiring book about the use of botanical essences in magic of many kinds. Her deep knowledge and experience of the properties of plants lays brilliantly combined with her equally deep knowledge and experience of Hindu Tantra, Western Esoterics, Mythology, and Folklore, and contemporary Neo-Paganism and Magic. She provides a rich cornucopia of spells and recipes, poetry, imagery, and lore to guide us through the seasons of the year and the many forms of magic that we can attempt at any time. A great deal of research and creativity has gone into this book, and I found much in it to surprise and delight me. I recommend this substantial and remarkable book for deep and enjoyable study and preservation in one’s reference library. 
Peter J CarrollStokastikos. Southwest England, 2023.
 

“Aromagick: A Scentual Guide to the Kalas and the Eight Colors of Magic”,  is a tantalizing book which wraps Egyptian and Hindu myth, ritual, and magic around a core of expert aromatherapy and plant magic to create a complete system of magic powered by interpenetrating cycles of time.  Just as the cycles of moon and sun weave together to form a calendar, so does this book twist together many strands of magic to form an eternal braid.  In part one, we learn about the kalas, and ritual baths for every phase of the moon.  With each phase, we deep-dive into a ritual bath.  Deep and loving attention is played to the spirits of the plants on which the baths rely; each is a master class in plant and perfume magic.  In my opinion, just the bath rituals alone would easily be worth the “ticket price” for this book, but there is so much more!  Nearly every chapter is bursting with poetry, essays, and juicy magical tidbits.  

In part two, we expand our circle, now focusing on the eight witch’s sabbats of the wheel of the year and their relationship to the eight colours of chaos magic.  Here too, Diti’s depth of knowledge and joy in practice shine through.  Each sabbat has a ritual bath, as well as additional material that extends, contextualizes, and tantalizes.  I received the manuscript shortly before the autumn equinox, so that is where I started.  The chapter opens with the powerful gnostic poem “Thunder, Perfect Mind” from the Nag Hammadi manuscripts, continues with an invocation of the Egyptian fertility goddess Ipet, moves on to a short essay about the magical virtues of the colour blue, and its relation to the season, and then provides an essay by noted scholar of Egyptian magic (and Diti’s husband) Mogg Morgan about Ma’at, the Egyptian deification of Divine Balance.  The chapter concludes, as each does, with an amazing dreamy bath recipe – this one centred on blue lotus, chamomile, jasmine, frankincense, and bergamot.  Just listing the ingredients is enough to make me swoon at their intoxicating fragrance!  All of that is just one chapter of this fascinating book!  I can’t wait to continue working with it throughout the year. 
Sara L Mastros author of The Sorcery of Solomon: A Guide to The 44 Planetary Pentecals of The Magician King

 

Diti is an Aromatherapist, a magician/witch/priestess/dragon
and none of the above. She is an Artisan Perfumer of the Jitterybug kind. When she has time she hangs out at the Apophis Club and studies at the Fox Magic Mystery School. She also makes great apple cakes.

 

Scroll down for the full interview with Diti J Morgan

Can you introduce yourself and say a little about what you do, your aims and objectives with your writing?

I am Diti J Morgan, an aromatherapist with almost 27 years of experience. I learned that when I blend certain essential oils with a meditative and ritualistic mindset, something special and magical happens. Those who walk the magical path will discover that they have this challenge, to share their vision of the mysteries, instead of accepting what is already given. My challenge is to reveal the scentual path of Aromagik.

If you haven’t already, can you say a little more about your family background, ie past and current – ie are you married, have children, work – people like a little bit of personal stuff if you ok to share.

I feel extremely privileged and blessed to be sharing my life with a very special person. We explore together, which is perhaps one of the secrets of a magical life.

Do you call yourself an aromatherapist/witch/magician? –  if so what does this mean to you? And is it important?

I never liked using titles as I feel they are restrictive.

I go by Diti, which is a nickname for Judith or Yehudit in Hebrew. I was given this name (Diti) when I was a baby of three months. In Jewish culture, and more so in Kabbalah, a person’s name has a lot of meaning and influence. Judith was a lovely Jewish widow, who left the city that was under attack by pretending to join the enemy and predicted to Holofernes that he would be victorious. She entered his tent, where she cut off his head while he was in a drunken slumber and took it in a bag to Bethulia. The Jews then overcame the Assyrians who were leaderless. 

The greater the quality of the name, the more positive its influence is believed to be on the person’s life. According to Kabbalah, the letters that form a name connect the physical and spiritual worlds, not only in the way the name is written but also in how it is perceived and recited. As a result, a name acts as a “channel” that transmits energy, whether positive or negative and serves as a bridge between a person’s physical and metaphysical worlds. In Hebrew, the name Yehudit contains within it the letters of God
– י ה ו י

A few years ago, when studying and exploring the path of the Kaula-Naths I was very excited to learn some more about the name Diti. In the excellent book, The Myths and Gods of India, the author Alain Danielou writes a short entry about the legend of the Maruts:

A Legend of the Maruts 

“In the Ramayana (1.46), the Maruts spring forth from an unborn son of Diti, the mother of the antigods. 

The mother of the antigods was in great distress. Vishnu had destroyed her two sons, Golden-Eye (Hiranyaksa) and Golden-Fleece (Hiranya-kasipu). In her desire for revenge, Diti, with womanly patience and cleverness, endeavoured to please her husband Vision (Kasyapa) and obtain from him a son who would destroy Indra, himself a son of Kasyapa.

Vision would not cooperate directly, but he advised Diti to perform the son-giving (pumsavana) penance. As the penance approached its completion, Indra felt anxious. He descended upon the earth and began to serve Diti like a disciple. Should she succumb to pride but for one instant this would give him a chance to frustrate her aim. For a long time, Diti was cautious in her austerities, but one day, at sunset, she fell asleep. Indra took advantage of this. Entering the womb of Diti, he tore the fetus into forty-nine fragments with his thunderbolt. These fragments became the Maruts. Indra made them guardians of the chalice of Soma.”

Judith or Diti, you may call me either, but I know for sure that both of my names are my “paths” that convey energy, good or bad, and connect my material and spiritual realms.

Mandrake has published your book – can you say a little about it?

The book Aromagick merges magical thinking and practice with my love for scents, aromatics, and perfumes. In the opening section, you can explore the fragrances and scents of the lunar journey through the Kalas. 

Kala means part, perhaps also a “lunar perfume or flower”. These mysterious but extremely important principles, derived from esoteric Hinduism, were related to the cosmic tides of the moon, those that ebb and flow during a lunar month. 

Following several years of studying the esoteric cycle of the lunar divinities, the Kalas, I gained a fresh perspective and understanding of these enigmatic deities. Each lunar day is said to have its unique magical quality represented by a Kala and a specific fragrance. In Aromagick, you can explore the lunar-Kala cycle’s two distinct sequences, namely the light and dark cycles, and discover the fragrances and perfumes that correspond to each of them.

In the second part of the book, I deal with the Eight Witches Sabbaths of the Ritual Year and how they resonate with the Eight Magics and the corresponding colours and scented essences.

Is the journey in your book for everyone or only for the expert or indeed aimed at the beginner?

Everyone can benefit from Aromagick. It provides a great introduction to essential oils, the moon cycle, the Kala sequences, and the Eight Sabbaths for beginners. For advanced magicians and witches, Aromagick offers new and deeper insights into familiar subjects. Additionally, advanced Tantrics and Naths can discover a fresh perspective on the Kala system.

 

 

Octarine Magick, Baphomet & Winter Solstice

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Twice a year, on the winter and summer solstice, a very unique portal reveals itself. Through this opening, we are given the opportunity to explore both the chill, yet still spirit of tranquillity and the effervescent radiance of brightness. The deep, indigo night sky of the winter solstice is reminiscent of Saturn, Lord of Time. There is something special about its seemingly timeless journey; almost as though time actually has stopped. The winter solstice marks the occasion when the Earth’s axis reaches its highest angle away from the Sun. In the Northern Hemisphere, this is where we observe the least amount of sunlight, leading to a day that’s shorter than any other of the year and a night that’s longer. This day mirrors the symbolic death and rebirth of the Sun— with daylight hours beginning to grow again afterwards. 

Octarine is the so-called Colour of Magic or King Colour, only perceivable by magicians and cats. According to Discworld texts (see Terry Pratchett’s The Colour of Magic), it is a combination of fluorescent greenish yellow and purple, mixing all primary colours, and serves as a representation of imagination.

The Octarine power lies within us, kindling the spark of the magician self in our inner being. When this flame is lit, we become familiar with various god forms, such as Baphomet, which can be summoned to inspire our magical creativity. 

The essence of Baphomet restores the balance of our universe.

I see Baphomet as a symbol of equilibrium between all living things. This consciousness allows us to recognize and embrace the connection between humans, mammals, reptiles, fish, angels and demons, heaven and earth. It also encourages us to accept the innate cycle of life and death, plus the concept of

eternity. Light and dark, left and right; these are all balanced by Baphomet’s equanimity. I found it easier to identify with Baphomet consciousness when I think of it as a model for a unique and original thought, a primal idea of balance. This concept once initiated, will ignite the flames of a passionate heart and open a clear passage for communication with our higher selves. 

Using Baphomet perfume oil on the Winter Solstice or Kapalini’s nights will help us surrender and let go of old attachments that bind us and prevent us from moving forward.

Check out AROMAGICK  for more information about the magical ingredients of Baphomet perfume oil. The Winter Solstice coincides with Nitya-Nitya night this year, ‘She who is timeless, the immortal goddess’. I will put an additional rare fragrance into the mix, to embody the essence of Nitya-Nitya.

 

 

 

 

 

 

Fool’s Journey

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Many view the fool as he is about to fall into the abyss, off the cliff. In my eyes, the fool always seemed like he is about to leap higher, ready to take the greatest leap of fate of them all. He is looking ahead and up with a little smile and a glint in his eyes, his dog is just as excited as he is and the rays of Aten shining upon him. If we look carefully at the picture, we don’t really see the abyss, we only assume it is there, which tells us never to assume anything before you carefully check the details you are presented with. 

The card is in vibrant yellow, the colour of our conscious mind, the practical mind – the doer not the dreamer. Yellow is a stimulating colour, which stimulates our nerves, glands and brain, making us more alert and full of energy. It boosts our memory and intellect, arouses original thought, and curiosity and encourages communication. 

Yellow is the colour That promotes activity and interaction and helps us find new ways and new ideas. Even the fools’ boots are yellow which symbolising suggests that the fool is fully aware and prepared for the things to come. 

Kameswari is the first Kala of the moon cycle and she corresponds with the letter Aleph.

“Aleph corresponds with or is the alphabet’s New Moon” (from Egyptian Magick by Mogg Morgan). Kameswari’s foot represents the first step of the Lunar month cycle, that she/we are taking on the first phase of the moon cycle. Like the fool, Kameswari opens the new cycle with a little step in the dark, but her foot is a fiery one and brings forth the first ray of lunar light into the darkness. 

Looking at the image of the Thoth Tarot 

We can see here that our humble fool looks very prepared and awakened (the tiger biting his leg and the Aten shining in full power in his Yesod) for the cycle ahead of it. Crowley’s fool looks fiercely ahead and smiles knowing that his first step will be taken with the blessing of Horus in his crocodile avatar – kenty-kht. 

The fool represents the primaeval spark from a solar explosion that initiated everything around its universe to move forward. We are moving in spiral cycles, every new cycle we spiralling deeper and further.

The dream I had the night of April’s fool was a very solar one, a blessed one. 

I was riding on a wild horse, which can suggest material wealth, happiness and contentment. According to Jung, dreams, are connected to our “natural force” of life and the horse, is representative of our own inner power.

A horse in a dream might symbolize freedom, energy, strength, endurance, stamina, power, but also hard work. It might signify male sexual energy and masculinity. Running horses symbolize freedom and the release of repressed energy.

The freedom to take the first step and move forward with no hesitations or regrets.

New moon Bath ritual

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The New Moon brings with it another cycle of new beginnings and rebirth. A fresh start and time to focus our intentions, ideas and dreams into creative manifestation. 

The Amrita kala and Kameswari correspond with the essence of the Clary Sage.  As its name suggests, Clary is the oil of clarity, clear thinking and clear visions.  Using Clary sage on the new moon will direct the Amrita kala and Kameswari’s essence our way. Few drops in the ritual bath will help us to become open to changes, new ideas and new perceptions, clear our mind and make space for new visions and dreams.

Clary Sage 

Clary Sage essential oil, is mainly used for menstrual complaints, childbirth and can help in releasing female sexual dysfunction (frigidity). Clary sage is a general nerve tonic and like the garden sage, it cools inflammation and is especially useful for throat and respiratory infections.

It has a calming effect on the mind and it is known to induce euphoria.

Clary sage has a relaxing effect on the body and mind, encouraging sleep and vivid dreams.

Salvia Sclarea

Salvia Sclarea

The ritual

Prepare your oil blend in a small bowl, 1 tablespoon of sea salt and about 6-10 drops of Clary Sage oil.

When your bath is full, add the blend into the bath and make the figure 8 with your hand in the water while focusing on your intentions and prayers, offer yourself (by getting into the water) to the spirit of the oil. Once you’re in the bath, let your body relax into the water. Close your eyes, take a few deep breaths inhaling the scent of the oil and listen to your guided meditation: 

Chandra (Moon) gayatri mantra:

om kshira-putraya vidmahe

amrita-tattvaya dhimahi

tanno chandra prachodayat

 

I bow down to Lord Chandra holder of the lotus. 

Who shines in the brilliant color of gold. 

May Lord Chandra illuminate my intellect

and shed light on my path. 

*I recommend recording the meditation beforehand, so you can listen to it while you are bathing. I make a playlist that lasts about 25-30 minutes, starting with about 7-10 minutes of some relaxing music, then guided meditation for about 10 minutes, followed with 10 minutes of more relaxing music. When the music stops, it’s your queue to get out of the ritual bath.

  • When a bath is not an option, you can inhale the oil while listening to the mantra/meditation. Once the mantra is over, utter license to depart (say thanks and put the Clary sage bottle away).                                   ***Excessive inhalation of the Clary sage oil might cause headaches!

 

NityaKlinna

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Hibiscus

 

Like in a dream
I see you
Coming out of the water
Your wet hair a golden halo
of liquid stars 
Pouring over your body
Your soft skin smeared with red sandal paste, 
Shimmering Amrita on your thighs 
Reflecting rainbows 
Onto your temple 
A timeless vision of 
She 
Who is eternally  Wet with love

 

The birth of Venus – Botticelli

From Shakti to Kali – The cycle of the Kalas

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Each lunar day is said to have its own unique magical quality and in the Hindu tradition is called a Kala. The following poem is inspired by one couple’s intimate exploration of one cycle of the Kalas.
Shakti
That’s how you named me
And yes why not
I am beautiful
And wise
Like Shakti
I am kind
funny
sexy
and happy
I love
and I am loved
In the mornings
when I wake up
by your side
two suns rising in my eyes
Shining light so bright
I can see your body
sparkle with golden dust
I could see your heart
melting into the stones
When we kissed the
Golden dawn

For 15 days and nights
We are shining bright
Happy
Dancing
Kissing
Telling little love stories
to each other
The stories of Kameshvari and her
ankle bracelet
Duti The impossible girl messenger
and ChitraMalini-
The bright one
The full one
The one who initiates her twin sister-
Kali
Tonight is the 15th night of
sweet love
Long kisses
Passion and desires
I am Shakti
The lady of desire
Messenger of love
Bright garland
The kiss of life
I am Shakti
My eyes shine like
Two bright suns
but if you look closely
You will see
Two black suns rising inside
I am Kali
I am the dark one
You can only see me
when the moon is full
I am Kali
My eyes are 2 black suns
Which will darken your days
And blacken your sight
I am Kali
I’ll spread my darkness
Slowly slowly
You will not even notice
When it touches your heart
But on the 7th day
When a black tear will
Drop on your shoulder
You will know only confusion
and darkness
Your heart will be broken
Only then you will know
That The Terrible ,
The Formidable
Has been awakened
I am Ugra
I am darkness
From now till the end of the cycle
You will know only darkness
The night sky will grow darker and darker
You can only see the artificial stars
I am Ugra
I am a night crawler
I will dim the lights
In your heart
One by one
Till you won’t
Be able to see
Only darkness
Only me
And on the end of your cycle
You will not
Be able to tell
Was it Mita

I am alive !